Annotation:Lochiel's Return: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''LOCHIEL'S RETURN.''' Irish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. | |f_annotation='''LOCHIEL'S RETURN.''' Irish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. "Lochiel's Return" is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>. A version of the tune, distanced in both title and melodic content, was printed by Brendan Breathnach as "[[Lough Aisles Return]]." | ||
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | |f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | ||
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 163, p. 89. | |f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 163, p. 89. | ||
}} | }} |
Revision as of 03:13, 13 June 2022
X:1 T:Lochiel's Return M:C| L:1/8 R:Reel B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel region, B:south Ulster) K:Ador gf|eA A/A/A e2 dc|BGdG Bcdg|ea...
LOCHIEL'S RETURN. Irish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. "Lochiel's Return" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1]. A version of the tune, distanced in both title and melodic content, was printed by Brendan Breathnach as "Lough Aisles Return."
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.