Biography:Rev. Luke Donnellan: Difference between revisions
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'''REV. LUKE DONNELLAN''' (1878-1952). Luke Donnellan was a cleric and curate in several parishes in the Dioceses of Armagh. The parish of Loughgall, County Armagh, was his final posting, where he was the administrator. He was a highly regarded cleric by his parishioners, if mild mannered, scholarly and slightly eccentric. He was also a fiddler, collector of Irish music and author and co-author of scholarly articles on the subject, including one entitled “Oriel Songs and Dances” printed in the '''Journal of the County Louth Archeological Society, vol. II''' (No. 2, 1909) and based on his music manuscript collection. He was known to have collected Irish traditional music and songs, focusing on songs in Gaelic, some 150 of which he preserved in sound recordings on wax cylinders. However, the music manuscript of some 300 tunes (mostly reels) that bears his name was probably not his own. Donnellan researcher Gerry O'Connor believes Donnellan "...was not the original author of this manuscript and that the collection itself had been the work of an unknown, able, traditional musician, probably a fiddle player, transcribed over the musician's lifetime<ref>Gerry O'Connor, '''The Rose in the Gap: Dance Music of the Oriel''', 2018, p. 11. </ref>. | '''REV. LUKE DONNELLAN''' (1878-1952). Luke Donnellan was a cleric and curate in several parishes in the Dioceses of Armagh. The parish of Loughgall, County Armagh, was his final posting, where he was the administrator. He was a highly regarded cleric by his parishioners, if mild mannered, scholarly and slightly eccentric. He was also a fiddler, collector of Irish music and author and co-author of scholarly articles on the subject, including one entitled “Oriel Songs and Dances” printed in the '''Journal of the County Louth Archeological Society, vol. II''' (No. 2, 1909) and based on his music manuscript collection. He was known to have collected Irish traditional music and songs, focusing on songs in Gaelic, some 150 of which he preserved in sound recordings on wax cylinders. However, the music manuscript of some 300 tunes (mostly reels) that bears his name was probably not his own. Donnellan researcher Gerry O'Connor believes Donnellan "...was not the original author of this manuscript and that the collection itself had been the work of an unknown, able, traditional musician, probably a fiddle player, transcribed over the musician's lifetime<ref>Gerry O'Connor, '''The Rose in the Gap: Dance Music of the Oriel''', 2018, p. 11. </ref>. | ||
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For more see the Donnellan site at Oriel Arts [https://www.orielarts.com/collections/luke-donnellan-collection/]. | |||
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Revision as of 14:31, 16 June 2022
Rev. Luke Donnellan
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Given name: | Luke |
Middle name: | |
Family name: | Donnellan |
Place of birth: | Lower Creggan, Crossmaglen, County Armagh, Ireland |
Place of death: | Newry, County Down, Ireland |
Year of birth: | 1878 |
Year of death: | 1952 |
Profile: | Collector, Composer, Musician |
Source of information: | |
Biographical notes
REV. LUKE DONNELLAN (1878-1952). Luke Donnellan was a cleric and curate in several parishes in the Dioceses of Armagh. The parish of Loughgall, County Armagh, was his final posting, where he was the administrator. He was a highly regarded cleric by his parishioners, if mild mannered, scholarly and slightly eccentric. He was also a fiddler, collector of Irish music and author and co-author of scholarly articles on the subject, including one entitled “Oriel Songs and Dances” printed in the Journal of the County Louth Archeological Society, vol. II (No. 2, 1909) and based on his music manuscript collection. He was known to have collected Irish traditional music and songs, focusing on songs in Gaelic, some 150 of which he preserved in sound recordings on wax cylinders. However, the music manuscript of some 300 tunes (mostly reels) that bears his name was probably not his own. Donnellan researcher Gerry O'Connor believes Donnellan "...was not the original author of this manuscript and that the collection itself had been the work of an unknown, able, traditional musician, probably a fiddle player, transcribed over the musician's lifetime[1].
For more see the Donnellan site at Oriel Arts [1].
- ↑ Gerry O'Connor, The Rose in the Gap: Dance Music of the Oriel, 2018, p. 11.