Annotation:Rose Mary: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Rose_Mary >
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Rose_Mary >
|f_annotation='''ROSE MARY.'''  AKA "[[Railroad (2) (The)]]." Irish, Reel (cut time). A Major. Standard tuning (fiddle). AB.   
|f_annotation='''ROSE MARY.'''  AKA and see "[[Miss Cox (1)]]," "[[Railroad (4) (The)]]." Irish, Reel (cut time). A Major. Standard tuning (fiddle). AB.   
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].   
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].   
|f_printed_sources=Rev. Luke Donnellan, “Oriel Songs and Dances” ('''Journal of the County Louth Archeological Society, vol. II'''), No. 2, 1909; No. 77. O’Connor ('''The Rose in the Gap'''), 2018; No. 197, p. 101.  
|f_printed_sources=Rev. Luke Donnellan, “Oriel Songs and Dances” ('''Journal of the County Louth Archeological Society, vol. II'''), No. 2, 1909; No. 77. O’Connor ('''The Rose in the Gap'''), 2018; No. 197, p. 101.  

Revision as of 21:37, 18 June 2022



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X:1 T:Rose Mary M:C| L:1/8 R:Reel N:In the key of 'C' in the original ms., recast in 'A' by N:Gerry O'Connor. B:Rev. Luke Donnellan, “Oriel Songs and Dances” (Journal of the County B:Louth Archeological Society, vol. II), No. 2, 1909; No. 78 Z:AK/Fiddler's Companion K:A A2 cA FAEF|A2 cA GABc|A2 cA FAEf|ecBd cAAB| A2 cA FAEF|A2 cA GABc|A2 cA FAEf|ecBd cA A2|| eA (3cBA edcd|eA (3cBA defa|eA (3cBA edce|dBcA BFFB| eA (3cBA edcd|eA (3cBA defg|agaf edce|dBcA BF F2||



ROSE MARY. AKA and see "Miss Cox (1)," "Railroad (4) (The)." Irish, Reel (cut time). A Major. Standard tuning (fiddle). AB.


Additional notes
Source for notated version : - Rev. Luke Donnellan music manuscript collection [O'Connor].

Printed sources : - Rev. Luke Donnellan, “Oriel Songs and Dances” (Journal of the County Louth Archeological Society, vol. II), No. 2, 1909; No. 77. O’Connor (The Rose in the Gap), 2018; No. 197, p. 101.






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