Annotation:Miss Campbell's (4): Difference between revisions

Revision as of 03:06, 21 June 2022

X:1 T:Miss Campbell’s Reel [4] M:C L:1/8 R:Reel S:Rev. Luke Donnellan – “Oriel Songs and Dances", S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 14) Z:AK/Fiddler’s Companion K:Dmix DE|FEDE FGAB|cBcG ECCE|FEDE FGAg|fdec dDDg:|| fdad bagf|ecgc efga|fdad ecge|fdec dDDg| fdad bagf|ecgc efga|fdAd cAGB|AFGE FD D2||

MISS CAMPBELL'S [4] (REEL). Irish, Reel (cut time). D Major. Standard tuning (fiddle). AB. "Miss Campbell's Reel [4]" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster^[1].

Additional notes
Source for notated version : - Rev. Luke Donnellan's music manuscript collection [O'Connor].

Printed sources : - Gerry O'Connor (The Rose in the Gap), 2018; No. 209, p. 106.

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↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.

[1] Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.

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 {{TuneAnnotation
 |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Miss_Campbell's_(4) >
-|f_annotation='''MISS CAMPBELL'S [4] (REEL).'''  Irish, Reel (cut time). D Major. Standard tuning (fiddle). AB.
+|f_annotation='''MISS CAMPBELL'S [4] (REEL).'''  Irish, Reel (cut time). D Major. Standard tuning (fiddle). AB. "Miss Campbell's Reel [4]" is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>.
 |f_source_for_notated_version=Rev. Luke Donnellan's music manuscript collection [O'Connor].
 |f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 209, p. 106.