Annotation:Stable Call (The): Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''STABLE CALL, THE.'''  Irish, March (whole time). D Major. Standard tuning (fiddle). AB.
|f_annotation='''STABLE CALL, THE.'''  Irish, March (whole time). D Major. Standard tuning (fiddle). AB. The tune, probably originally based on a military bugle call, is contained in the c. 1909 music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster. Donnellan researcher Gerry O'Connor defined that the tune was originally in 4/4 time, although it had been altered to 6/8 time and the key changed in the ms.
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 14, p. 134.
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 14, p. 134.
}}
}}

Revision as of 18:37, 30 June 2022



X: 1 T:Stable Call,The. GS.062 M:3/4 L:1/8 Q:3/4=50 S:George Spencer m/s, Leeds,1831 R:.Fanfare O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major G2GGGG | B2G2B2 | d2 dddd | d2B2d2 |! g2gggg | g2d2B2 | G2 GGGG | G4 "1"d2 :|! |:g2 gggg | g4 bg | a2 dddd | e6 |! a2 aaaa | a4 c'a | b2 gggg | g4 z2 |! G2 GGGG | B2G2B2 | d2 dddd | d2B2d2 |! g2 gggg | g2d2B2 | G2 GGGG | G4 :|



STABLE CALL, THE. Irish, March (whole time). D Major. Standard tuning (fiddle). AB. The tune, probably originally based on a military bugle call, is contained in the c. 1909 music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster. Donnellan researcher Gerry O'Connor defined that the tune was originally in 4/4 time, although it had been altered to 6/8 time and the key changed in the ms.


Additional notes
Source for notated version : - Rev. Luke Donnellan music manuscript collection [O'Connor].

Printed sources : - Gerry O'Connor (The Rose in the Gap), 2018; No. 14, p. 134.






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