Annotation:Hell and Scissors: Difference between revisions
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'''HELL AND SCISSORS'''. Old-Time, Breakdown. USA; Arkansas, Kentucky. A Major. ADae tuning. A 'hell' is a leather holster used by tailors to hold a pair of scissors. The tune is in the repertoire of fiddler Bruce Greene, who learned it from Day's 78 RPM recording. The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954. | '''HELL AND SCISSORS'''. Old-Time, Breakdown. USA; Arkansas, Kentucky. A Major. ADae tuning. A 'hell' is a leather holster used by tailors to hold a pair of scissors. However, 'Hell and Scissors' also referred to a specific region of Kentucky in the the early 1800's, when the land was being pioneered. Illinois provided the staging area for many pioneers wagons to cross into the Kentucky region, which had no roads or bridges, necessitating a slow and laborious journey. One three mile stretch between Big and Little Ocho rivers at Vandalia, was known as the "Hell and Scissors," which it took three days to cross. | ||
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The tune is in the repertoire of fiddler Bruce Greene, who learned it from Day's 78 RPM recording. The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954. | |||
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Revision as of 01:09, 17 October 2011
Tune properties and standard notation
HELL AND SCISSORS. Old-Time, Breakdown. USA; Arkansas, Kentucky. A Major. ADae tuning. A 'hell' is a leather holster used by tailors to hold a pair of scissors. However, 'Hell and Scissors' also referred to a specific region of Kentucky in the the early 1800's, when the land was being pioneered. Illinois provided the staging area for many pioneers wagons to cross into the Kentucky region, which had no roads or bridges, necessitating a slow and laborious journey. One three mile stretch between Big and Little Ocho rivers at Vandalia, was known as the "Hell and Scissors," which it took three days to cross.
The tune is in the repertoire of fiddler Bruce Greene, who learned it from Day's 78 RPM recording. The title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954.
Source for notated version:
Printed sources:
Recorded sources: Library of Congress 1010B2, Jilson Setters {Kentucky fiddler J.W. "Blind Bill" Day} (recorded 1934 for John Lomax in Ashland Ky).
See also listing at:
Jane Keefer's Folk Music Index: An Index to Recorded Sources [1]
Hear Jilson Setters at the Digital Library of Appalachia [2]