Annotation:Farewell to Leitrim: Difference between revisions
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|f_printed_sources=Breathnach ('''CRÉ II'''), 1976; No. 279 (appears as untitled reel). Breathnach ('''CRÉ V'''), 1999; No. 139. Carlin ('''Master Collection'''), 1984; No. 215, p. 126; Allan's Irish Fiddler, n.d., c. 1920s, No. 64 (appears as "Molloy's Favourite"). | |f_printed_sources=Breathnach ('''CRÉ II'''), 1976; No. 279 (appears as untitled reel). Breathnach ('''CRÉ V'''), 1999; No. 139. Carlin ('''Master Collection'''), 1984; No. 215, p. 126; Allan's Irish Fiddler, n.d., c. 1920s, No. 64 (appears as "Molloy's Favourite"). | ||
|f_recorded_sources=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/f02.htm#Fartole]<br> | |f_recorded_sources=Decca 12186 (78 RPM), Hugh Gillespie (1938). | ||
|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/f02.htm#Fartole]<br> | |||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/610/]<br> | Alan Ng's Irishtune.info [http://www.irishtune.info/tune/610/]<br> | ||
Hear Hugh Gillespie's 78 RPM recording at Capeirish.com [http://www.capeirish.com/tune_vault/hugh-gill/farewell.mp3]<br> | Hear Hugh Gillespie's 78 RPM recording at Capeirish.com [http://www.capeirish.com/tune_vault/hugh-gill/farewell.mp3]<br> | ||
}} | }} | ||
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Revision as of 16:47, 4 September 2022
X: 1 T:Farewell to Leitrim R:reel D:Altan: Blackwater Z:id:hn-reel-771 M:C| K:Dmix d2AG FADF|Ec~c2 Ec~c2|(3dcB cA BGAG|FDEF DEFA| d2AG FADF|(3EFG AB c2Bc|(3dcB cA BGAF|GFEG FDDe|| fd~d2 fdad|fd~d2 ^cdeg|fd~d2 fdad|^ceag fdde| fd~d2 adfd|e=c~c2 gceg|afge fded|^ceaf g2fe||
FAREWELL TO LEITRIM. AKA and see "Kennaw's Reel (1)," "Lawson's Favorite," "Fiddler's Frolic (1) (The)," "Maude Miller (1)," "Molloy's Favourite (1)," "Reidy Johnson's (1)," "Take Her Out and Air Her (2)," "Roll Her in the Haystack," "Hawthorn's Reel." Irish, Reel. D Major. Standard tuning (fiddle). AB. Sligo fiddler Michael Coleman recorded the tune in New York in 1921 on his very first 78 rpm side, on which it was the second tune in a set entitled "Reidy Johnson's"). Coleman's Donegal-born New York protege Hughie Gillespie recorded the same two reels, calling this one "Farewell to Leitrim." Influential button accordionist Joe Burke later used Gillespie's title when he recorded the tune.
