Annotation:Tiddle Took Todfish: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''TIDDLE TOOK TODFISH.''' American, Reel (whole time). D Major. Standard tuning (fiddle). AABB'. Bayard was not able to trace this tune, though he notes a resemblance to "[[Cosmopolite (The)]]" in Cole's '''1000 Fiddle Tunes''' (1940, p. 31). I believe that the first part of “Tiddle took Todfish,” however, is a variant of the second part of “[[Liverpool Hornpipe (1)]]. The second strain is a variant of the same part in the Québec tune "[[Galope de la Malbaie]]", also called "[[Mackilmoyle Reel]]."
|f_annotation='''TIDDLE TOOK TODFISH.''' American, Reel (whole time). D Major. Standard tuning (fiddle). AABB'. Bayard was not able to trace this tune, though he notes a resemblance to "[[Cosmopolite (The)]]" in Cole's '''1000 Fiddle Tunes''' (1940, p. 31). I believe that the first part of “Tiddle took Todfish,” however, is a variant of the second part of “[[Liverpool Hornpipe (1)]],” although there are several other tunes that have similar melodic material, including "[[Whiskey before Breakfast]]" and "[[Speed the Plow]]." The second strain is a variant of the same part in the Québec tune "[[Galope de la Malbaie]]", also called "[[Mackilmoyle Reel]]."
|f_source_for_notated_version=David P. Gilpin, Connellsville, Pennsylvania, September 22, 1943 (learned at Dunbar, southwestern Pennsylvania).
|f_source_for_notated_version=David P. Gilpin, Connellsville, Pennsylvania, September 22, 1943 (learned at Dunbar, southwestern Pennsylvania).
|f_printed_sources=Bayard ('''Hill Country Tunes'''), 1944; No. 17.
|f_printed_sources=Bayard ('''Hill Country Tunes'''), 1944; No. 17.
}}
}}

Revision as of 15:47, 10 September 2022



X:1 T:Tiddle Took Tod Fish M:4/4 L:1/8 R:reel N:David (Dave) P. Gilpin, Connellsville, P.A. 1943 (in his 60’s) N:Dave lost his ring finger in an accident and had to relearn N:his tunes using the first 2 fingers of his left hand. N:Samuel P. Bayard (collector of this tune) stated that Dave’s N:playing was some of the best he’d collected and the loss of fingers N:was not at all a handicap. B:Samuel P. Bayard – Hill Country Tunes (1944) K:D (3ABc)|d2[Af]e c2ec|BcdB AFDF|G2BG F2AF|EDEF GABc| d2fe c2ec|BcdB AFDF|B2BG F2AF|EGFE D2(A2|| |:A)cef gf gz||Ace^g ag az|Acef g2gf|1 faec d2B2:|2 faec d2||



TIDDLE TOOK TODFISH. American, Reel (whole time). D Major. Standard tuning (fiddle). AABB'. Bayard was not able to trace this tune, though he notes a resemblance to "Cosmopolite (The)" in Cole's 1000 Fiddle Tunes (1940, p. 31). I believe that the first part of “Tiddle took Todfish,” however, is a variant of the second part of “Liverpool Hornpipe (1),” although there are several other tunes that have similar melodic material, including "Whiskey before Breakfast" and "Speed the Plow." The second strain is a variant of the same part in the Québec tune "Galope de la Malbaie", also called "Mackilmoyle Reel."


Additional notes
Source for notated version : - David P. Gilpin, Connellsville, Pennsylvania, September 22, 1943 (learned at Dunbar, southwestern Pennsylvania).

Printed sources : - Bayard (Hill Country Tunes), 1944; No. 17.






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