Annotation:Down the Bank: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Down_the_Bank > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Down_the_Bank > | ||
|f_annotation='''DOWN THE BANK'''. AKA and see "[[Down with the Peebles]]." English, Reel (whole time). D Major. Standard tuning (fiddle). AABBCC. The first appearance of the tune is in Northumbrian musician William Vickers 1770 music manuscript collection [http://www.asaplive.com/archive/show_images.asp?id=R0315206&image=1]. The FARNE site identifies the (first strain of the) reel as being a member of the family of tunes that includes "[[Aldivalloch]]", "[[Roy's Wife of Aldivalloch]]", "[[Ruffian's Rant]]", and David Young's similarly titled "[[Down on Yon Bank]]." Joseph Banks (Carlisle, Cumbria) entered a version in his 1760's music manuscript collection under the partially legible title "Queen Ru***house." A version was also entered into music manuscript of piper John Sutherland (1785), and the large mid-19th century music manuscript collection of Canon [[biography:James Goodman]] (County Cork), vol. iii, p. 95 [http://goodman.itma.ie/volume-three#?c=0&m=0&s=0&cv=98&z=2825.6405%2C950.5503%2C3687.1437%2C2233.3333]. | |f_annotation='''DOWN THE BANK'''. AKA and see "[[Down with the Peebles]]," "[[Farewell to Brickyard]]," "[[Ye’re Welcome Charlie Stuart]]." English, Reel (whole time). D Major. Standard tuning (fiddle). AABBCC. The first appearance of the tune is in Northumbrian musician William Vickers 1770 music manuscript collection [http://www.asaplive.com/archive/show_images.asp?id=R0315206&image=1]. The FARNE site identifies the (first strain of the) reel as being a member of the family of tunes that includes "[[Aldivalloch]]", "[[Roy's Wife of Aldivalloch]]", "[[Ruffian's Rant]]", and David Young's similarly titled "[[Down on Yon Bank]]." Joseph Banks (Carlisle, Cumbria) entered a version in his 1760's music manuscript collection under the partially legible title "Queen Ru***house." A version was also entered into music manuscript of piper John Sutherland (1785), and the large mid-19th century music manuscript collection of Canon [[biography:James Goodman]] (County Cork), vol. iii, p. 95 [http://goodman.itma.ie/volume-three#?c=0&m=0&s=0&cv=98&z=2825.6405%2C950.5503%2C3687.1437%2C2233.3333]. | ||
|f_source_for_notated_version=William Vickers' 1770 Northumbrian music manuscript collection [Seattle]; Joseph Banks music manuscript collection (Carlisle, Cumbria, 1762) [Offord]. | |f_source_for_notated_version=William Vickers' 1770 Northumbrian music manuscript collection [Seattle]; Joseph Banks music manuscript collection (Carlisle, Cumbria, 1762) [Offord]. | ||
|f_printed_sources= John Offord ('''Bonny Cumberland'''), 2018; p. 3 (appears as "Queen Ru***house"). Seattle ('''Great Northern Tune Book/William Vickers'''), 1987, Part 3; No. 502. | |f_printed_sources= John Offord ('''Bonny Cumberland'''), 2018; p. 3 (appears as "Queen Ru***house"). Seattle ('''Great Northern Tune Book/William Vickers'''), 1987, Part 3; No. 502. | ||
Revision as of 01:16, 30 January 2023
X:1 T:Down the Bank M:4/4 L:1/8 R:Reel S:William Vickers' 1770 Northumbrian music manuscript collection (No. 502) K:D B|AFED FGFB|AFED EFEB|AFED defe|dBAF D/D/D D:| |:B|AFdF ABdB|AFdF BcdB|AFED defe|dBAF D/D/D D:| |:a|f/f/f fa fgfa|f/f/f fa efeg|fedc defe|dBAF D/D/D D:||
DOWN THE BANK. AKA and see "Down with the Peebles," "Farewell to Brickyard," "Ye’re Welcome Charlie Stuart." English, Reel (whole time). D Major. Standard tuning (fiddle). AABBCC. The first appearance of the tune is in Northumbrian musician William Vickers 1770 music manuscript collection [1]. The FARNE site identifies the (first strain of the) reel as being a member of the family of tunes that includes "Aldivalloch", "Roy's Wife of Aldivalloch", "Ruffian's Rant", and David Young's similarly titled "Down on Yon Bank." Joseph Banks (Carlisle, Cumbria) entered a version in his 1760's music manuscript collection under the partially legible title "Queen Ru***house." A version was also entered into music manuscript of piper John Sutherland (1785), and the large mid-19th century music manuscript collection of Canon biography:James Goodman (County Cork), vol. iii, p. 95 [2].
