Annotation:Belle Jeannette (La): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Belle_Jeannette_(La) > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Belle_Jeannette_(La) > | ||
|f_annotation='''BELLE JEANNETTE, LA'''. English, Country Dance (2/4). G Major. Standard tuning (fiddle). AABA. The original appears to have been printed in '''The Entire New and Compleat Tutor for the Violin by Geminiani''', referring to Saverio Geminiani (1687-1762), an Italian virtuoso violinist who lived in London at several times during his career. His violin tutor was published before his death, and republished several times throughout the 18th and early 19th centuries. "La Bele Geannette" appears in a few musicians manuscripts of the early 19th century, including those of the Hardy Family (Dorset), R. Hughes (Whitechurch, Shropshire, 1823), J. Jones (north Shropshire, 1801), | |f_annotation='''BELLE JEANNETTE, LA'''. English, Country Dance (2/4). G Major. Standard tuning (fiddle). AABA. The original appears to have been printed in '''The Entire New and Compleat Tutor for the Violin by Geminiani''', referring to Saverio Geminiani (1687-1762), an Italian virtuoso violinist who lived in London at several times during his career. His violin tutor was published before his death, and republished several times throughout the 18th and early 19th centuries. "La Bele Geannette" appears in a few musicians manuscripts of the early 19th century, including those of the Hardy Family (Dorset), R. Hughes (Whitechurch, Shropshire, 1823), J. Jones (north Shropshire, 1801), John Clare "La Bel Jean" JC28 (Helpston, Northamptonshire) and John Roose (Manchester, England, c. 1850). Although originally a French country dance, the tune can be employed as a polka. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 5'''), p. 5. Trim et al. ('''The Musical Legacy of Thomas Hardy'''), 1990; No. 96. | |f_printed_sources=Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 5'''), p. 5. Trim et al. ('''The Musical Legacy of Thomas Hardy'''), 1990; No. 96. | ||
Revision as of 00:53, 7 February 2023
X:1 T:Belle Jeannette, La M:2/4 L:1/8 R:Country Dance B:Samuel, Ann & Peter Thompson -- Compleat Collection of 200 Favourite Country Dances, vol. 5 (1788, p. 5) Z:AK/Fiddler's Companion K:G G>A |BB cc| A2 d/e/d/c/|c/B/A/G/ G/F/G/A/|BAG>A| BBcc|A2 d/e/d/c/|c/B/A/G/ B/A/G/F/|G2:| |:G/A/B/c/|.d.B.c.d|BG G/A/B/c/|.d.B.c.d|[G,2B,2B2g2] G/A/B/c/| dBcd|BG G/A/B/c/|dBcd|[G,2B,2B2g2]:|
BELLE JEANNETTE, LA. English, Country Dance (2/4). G Major. Standard tuning (fiddle). AABA. The original appears to have been printed in The Entire New and Compleat Tutor for the Violin by Geminiani, referring to Saverio Geminiani (1687-1762), an Italian virtuoso violinist who lived in London at several times during his career. His violin tutor was published before his death, and republished several times throughout the 18th and early 19th centuries. "La Bele Geannette" appears in a few musicians manuscripts of the early 19th century, including those of the Hardy Family (Dorset), R. Hughes (Whitechurch, Shropshire, 1823), J. Jones (north Shropshire, 1801), John Clare "La Bel Jean" JC28 (Helpston, Northamptonshire) and John Roose (Manchester, England, c. 1850). Although originally a French country dance, the tune can be employed as a polka.
