Annotation:McDermott's Hornpipe (1): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:McDermott's_Hornpipe_(1) > | |||
|f_annotation='''McDERMOTT'S HORNPIPE [1]''' (Cornphíopa Mhic Dhiarmada). The AKA and see "[[Dunn's Hornpipe]]," "[[Flowers of Antrim (1) (The)]]," "[[Marquis of Lorne (1)]]," "[[McDanaugh's Clog]]," "[[McDonaugh's Clog]]," "[[Newry Hornpipe (The)]]," "[[Sligo Fancy (The)]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB (Phillips): AA'BB'CC'D. | |||
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'''McDERMOTT'S HORNPIPE [1]''' (Cornphíopa Mhic Dhiarmada). The AKA and see "[[Dunn's Hornpipe]]," "[[Flowers of Antrim (1) (The)]]," "[[Marquis of Lorne (1)]]," "[[McDanaugh's Clog]]," "[[McDonaugh's Clog]]," "[[Newry Hornpipe (The)]]," "[[Sligo Fancy (The)]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB (Phillips): AA'BB'CC'D. | |||
<br> | <br> | ||
<br> | <br> | ||
[[File:coleman.jpg|200px|thumb|left|Michael Coleman]] | [[File:coleman.jpg|200px|thumb|left|Michael Coleman]] | ||
This is the second hornpipe in an amalgamated tune (a pairing of "[[Galway Hornpipe (1) (The)]]" and "[[Sligo Fancy (The)]]") that was recorded by renowned County Sligo fiddler Michael Coleman [http://en.wikipedia.org/wiki/Michael_Coleman_%28musician%29] (1891-1945) on a 78 RPM recording in New York in 1922. The set was named by Coleman after Bunnanadden, County Sligo, fiddler and publican Peter James (P.J.) McDermott (b. 1874), who had a strong influence on Coleman when he was learning to play in Ireland. The provenance is unknown: the first strain is cognate with the Scottish "[[Marquis of Lorne (1)]]" printed by James S. Kerr in the 1880's. | This is the second hornpipe in an amalgamated tune (a pairing of "[[Galway Hornpipe (1) (The)]]" and "[[Sligo Fancy (The)]]") that was recorded by renowned County Sligo fiddler Michael Coleman [http://en.wikipedia.org/wiki/Michael_Coleman_%28musician%29] (1891-1945) on a 78 RPM recording in New York in 1922. The set was named by Coleman after Bunnanadden, County Sligo, fiddler and publican Peter James (P.J.) McDermott (b. 1874), who had a strong influence on Coleman when he was learning to play in Ireland. The provenance is unknown: the first strain is cognate with the Scottish "[[Marquis of Lorne (1)]]" printed by James S. Kerr in the 1880's. | ||
|f_source_for_notated_version=Andy McGann (1928–2004, New York City) [Phillips]; accordion player Paddy O'Brien, 1970 (Dublin, Ireland) [Breathnach]; Montreal fiddler Jean Carignan [Miller & Perron]. | |||
|f_printed_sources=Alewine ('''Maid that Cut Off the Chicken's Lips'''), 1987; p. 24. | |||
Breathnach ('''CRÉ 2'''), 1976; No. 299, p. 153. | Breathnach ('''CRÉ 2'''), 1976; No. 299, p. 153. | ||
Miller & Perron ('''Irish Traditional Fiddle Music'''), 1977; vol. 3, No. 33. | Miller & Perron ('''Irish Traditional Fiddle Music'''), 1977; vol. 3, No. 33. | ||
Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 118. | Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 118. | ||
Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1989; p. 37. | Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1989; p. 37. | ||
|f_recorded_sources=OKEH 4703 (78 RPM), Michael Coleman (1922). | |||
Shanachie 29009, "Andy McGann & Paul Brady" (learned from Katherine Brennan). | Shanachie 29009, "Andy McGann & Paul Brady" (learned from Katherine Brennan). | ||
Shaskeen Records OS-360, Andy McGann, Felix Dolan, Joe Burke – "A Tribute to Michael Coleman" (c. 1965). | Shaskeen Records OS-360, Andy McGann, Felix Dolan, Joe Burke – "A Tribute to Michael Coleman" (c. 1965). | ||
|f_see_also_listing=Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1248/]<br> | |||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1248/]<br> | |||
Hear Coleman's 1922 recording played on a gramophone on youtube.com [http://www.youtube.com/watch?v=CtJr20jipK8]<br> | Hear Coleman's 1922 recording played on a gramophone on youtube.com [http://www.youtube.com/watch?v=CtJr20jipK8]<br> | ||
}} | |||
Latest revision as of 03:21, 6 May 2023
X:1 T:McDermott's Hornpipe [1] M:C| L:1/8 R:Hornpipe K:D fe|dcdA FABA|GFGE CDEF|EFGA B2 B/c/d|e/f/e d/c/B A2 fe| dcdA FABA|GFGE CDEF|EFGA B2 B/c/d|e/f/e d2d2:| |:A2|FAdA FAdA|FAdA GBFA|E~=c3 E~=c3|E~=c3 A/B/c AG| FAdA FAdA|FAdA GBFA|Eeed cABc|d/c/d e/d/c d2:|]
McDERMOTT'S HORNPIPE [1] (Cornphíopa Mhic Dhiarmada). The AKA and see "Dunn's Hornpipe," "Flowers of Antrim (1) (The)," "Marquis of Lorne (1)," "McDanaugh's Clog," "McDonaugh's Clog," "Newry Hornpipe (The)," "Sligo Fancy (The)." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB (Phillips): AA'BB'CC'D.
This is the second hornpipe in an amalgamated tune (a pairing of "Galway Hornpipe (1) (The)" and "Sligo Fancy (The)") that was recorded by renowned County Sligo fiddler Michael Coleman [1] (1891-1945) on a 78 RPM recording in New York in 1922. The set was named by Coleman after Bunnanadden, County Sligo, fiddler and publican Peter James (P.J.) McDermott (b. 1874), who had a strong influence on Coleman when he was learning to play in Ireland. The provenance is unknown: the first strain is cognate with the Scottish "Marquis of Lorne (1)" printed by James S. Kerr in the 1880's.
