Annotation:To Danton Me: Difference between revisions
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''And auld man shall never daunton me.''<br> | ''And auld man shall never daunton me.''<br> | ||
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Poet James Hogg also printed a song called “To daunton me” (to the tune of “To daunton me”) in his '''Jacobite Relics''' (II, p. 89), but used the melody for a total of three Jacobite songs in the collection. Legman maintains that Stephen Foster’s song “I Dream of Jeanie with the Light Brown Hair” (written in honor of his wife, Jane McDowell Foster) is a reworking of “To Daunton Me,” although Fuld sees no similarity between the two. It is also thought that this piece eventually influenced a later song, "[[Andrew and his Cutty Gun (2)]]," also printed by James Oswald. As late as the 1880's a version of the tune (perhaps set as a reel--the tempo is unclear) was printed by Boston music publisher Elias Howe as "[[What will I do with this thing of mine]]." | Poet James Hogg also printed a song called “To daunton me” (to the tune of “To daunton me”) in his '''Jacobite Relics''' (II, p. 89), but used the melody for a total of three Jacobite songs in the collection. Legman maintains that Stephen Foster’s song “I Dream of Jeanie with the Light Brown Hair” (written in honor of his wife, Jane McDowell Foster) is a reworking of “To Daunton Me,” although Fuld sees no similarity between the two. It is also thought that this piece eventually influenced a later song, "[[Andrew and his Cutty Gun (2)]]," also printed by James Oswald. As late as the 1880's a version of the tune (perhaps set as a reel--the tempo is unclear) was printed by Boston music publisher Elias Howe as "[[What will I do with this thing of mine]]." | ||
Francis O'Neill used a variant of Burns' first line for the title of his setting of the air, "[[Blood Red Rose (The)," printed in '''Music of Ireland''' (1903). | |||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. II'''), 1782; No. 60, p. 22. Howe ('''1000 Jigs and Reels'''), c. 1867; p. 134. Johnson ('''Scots Musical Museum, vol. II'''), 1788; song 182, p. 190. Kerr ('''Merry Melodies, vol. 2'''), c. 1880’s; No. 219 (Highland Schottische). McGibbon ('''Scots Tunes, book II'''), c. 1746; p. 51. O’Farrell ('''Pocket Companion for the Irish or Union Pipes, vol. III'''), c. 1808; p. 45 (appears as “To Daunton Me”). Oswald ('''Caledonian Pocket Companion Book 1'''), 1760; p. 16. | |f_printed_sources=Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. II'''), 1782; No. 60, p. 22. Howe ('''1000 Jigs and Reels'''), c. 1867; p. 134. Johnson ('''Scots Musical Museum, vol. II'''), 1788; song 182, p. 190. Kerr ('''Merry Melodies, vol. 2'''), c. 1880’s; No. 219 (Highland Schottische). McGibbon ('''Scots Tunes, book II'''), c. 1746; p. 51. O’Farrell ('''Pocket Companion for the Irish or Union Pipes, vol. III'''), c. 1808; p. 45 (appears as “To Daunton Me”). Oswald ('''Caledonian Pocket Companion Book 1'''), 1760; p. 16. |
Revision as of 02:33, 23 July 2023
{{TuneAnnotation
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:To_Danton_Me >
|f_annotation=TO DANTON ME. AKA - "To Daunton Me." AKA and see “Blood Red Rose (The)," "Moran's Return," "This Wife of Mine, "What will I do with this thing of mine." .” Scottish, Country Dance Tune (4/4 time) or Highland Schottische. F Major (McGibbon): G Major (Aird): D Mixolydian (Howe, Kerr, O’Farrell); E Minor (Oswald). Standard tuning (fiddle). AAB (Kerr): AABB (Howe, McGibbon, O’Farrell): AABBCCDD (Aird). John Glen (Early Scots Melodies, 1900) finds the tune in the Atkinson manuscript of 1694, albeit under the title “This Wife of Mine.” Bruce Olson cites Logan’s The Pedlar’s Pack (1869), wherein is the note that a broadside ballad of c. 1700 called “Be Valiant Still” was to be sung to the tune of “The old carle to daunton me," just one of a number of sets of words applied to the tune over time. Northumbrian musician Henry Atkinson entered the tune as "This Wife of Mine" in his 1694 music manuscript collection, perhaps also the name of a song.
Instrumental versions of the melody were similarly popular. The tune appears in James Oswald’s Curious Collection of Scots Tunes for Violin, Bass Viol or German Flute (1740), dedicated to the Duke of Perth, and later in his Caledonian Pocket Companion (book 1, 1743). It also appears in William McGibbon’s Second Collection of Scots Tunes (1746), and in Bremner’s 1762 reprint of McGibbon’s collection.
The word ‘daunton’ (and its variant, ‘danton’) is an archaic formulation meaning ‘dismay’ or ‘discourage’, which appears occasionally in older British folk manuscripts. One instance of it in folksong is in the ballad “Thomas Rhymer” (Child 37, version C), in the verse (here Thomas has encountered the Fairie Queen):
'Betide me weal, betide me woe,
That weird shall never daunton me;'
Syne he has kissed her rosy lips,
All underneath the Eildon Tree.
Antiquarian William Stenhouse found a version of the song in A Collection of Loyal Songs, Poems, &c, printed in 1750.
To daunton me, to daunton me,
Ken ye the things that would dannton me?
O eighty-eight and eighty-nine,
And a' the dreary years sin' syne,
With cess, and press, and Presbytrie,
Guid faith these had like to hae dauntoned me!
In 1788 Robert Burns (1759-1796) composed a song by the title “To Daunton Me,” printed in Thompson’s Scots Musical Museum (1797) that employs the old air. It begins:
The blude-red rose at Yule may blaw,
The simmer lilies bloom in snaw,
The frost may freeze the deepest sea;
But an auld man shall never daunton me.
To daunton me, to daunton me,
And auld man shall never daunton me.
Poet James Hogg also printed a song called “To daunton me” (to the tune of “To daunton me”) in his Jacobite Relics (II, p. 89), but used the melody for a total of three Jacobite songs in the collection. Legman maintains that Stephen Foster’s song “I Dream of Jeanie with the Light Brown Hair” (written in honor of his wife, Jane McDowell Foster) is a reworking of “To Daunton Me,” although Fuld sees no similarity between the two. It is also thought that this piece eventually influenced a later song, "Andrew and his Cutty Gun (2)," also printed by James Oswald. As late as the 1880's a version of the tune (perhaps set as a reel--the tempo is unclear) was printed by Boston music publisher Elias Howe as "What will I do with this thing of mine."
Francis O'Neill used a variant of Burns' first line for the title of his setting of the air, "[[Blood Red Rose (The)," printed in Music of Ireland (1903).
|f_source_for_notated_version=
|f_printed_sources=Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. II), 1782; No. 60, p. 22. Howe (1000 Jigs and Reels), c. 1867; p. 134. Johnson (Scots Musical Museum, vol. II), 1788; song 182, p. 190. Kerr (Merry Melodies, vol. 2), c. 1880’s; No. 219 (Highland Schottische). McGibbon (Scots Tunes, book II), c. 1746; p. 51. O’Farrell (Pocket Companion for the Irish or Union Pipes, vol. III), c. 1808; p. 45 (appears as “To Daunton Me”). Oswald (Caledonian Pocket Companion Book 1), 1760; p. 16.
|f_recorded_sources=Astro Custom Records ACC-49290, Natalie MacMaster - "Road to the Isle" (1991). Folkways FW 8758, Ewan MacColl - "Songs of Robert Burns" (1959).
|f_see_also_listing=Alan Snyder's Cape Breton Fiddle Recordings [1]<bf>
See the Ballad Index entry on the song [2]
}}