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'''LONNIE ROBERTSON (1908-)''' was born and raised in Longrun, southern Missouri, about 10 miles from the Arkansas-Missouri line, in the Ozarks Mountains. His father Jarrett, was a fiddler, but died when Lonnie was 13. leaving Lonnie to learn and absorb repertoire from neighbors and friends; particularly influential were Johnny Mashburn and Johnny Tabor, the former who played lead on his instrument, while Tabor seconded on the bass strings of his fiddle with rhythm and chords.  In the 1930's Robertson teamed up with guitarist and singer Roy McGeorge and the two performed over KFEQ in St. Joseph, and later at stations in Omaha and Lincoln, Nebraska.  They sang in the close harmony "brother" style popular at the time, playing mandolin and guitar. Later the duo teamed up with banjo player Homer Davenport to become "The Boys from the Hills."  In the early days of World War II he teamed up with his wife Thelma for a duet act, eventually calling their act "The Down Home Folks", including their little son, Jarrett in the act.  In the 1960's Robertson, then living in Springfield, Mo., became interested in fiddling again, and began to play local square dances and write original tunes. Lonnie issued records on his own label, Caney Mountain Records, named for a glorified hill near his home town.   
'''LONNIE ROBERTSON (1908-)''' was born and raised in Longrun, southern Missouri, about 10 miles from the Arkansas-Missouri line, in the Ozarks Mountains. His father Jarrett, was a fiddler, but died when Lonnie was 13. leaving Lonnie to learn and absorb repertoire from neighbors and friends; particularly influential were Johnny Mashburn and Johnny Tabor, the former who played lead on his instrument, while Tabor seconded on the bass strings of his fiddle with rhythm and chords.  In the 1930's Robertson teamed up with guitarist and singer Roy McGeorge and the two performed over KFEQ in St. Joseph, and later at stations in Omaha and Lincoln, Nebraska.  They sang in the close harmony "brother" style popular at the time, playing mandolin and guitar and singing mostly western songs. Later the duo teamed up with banjo player Homer Davenport to become "The Boys from the Hills."  In the early days of World War II he teamed up with his wife Thelma for a duet act, eventually calling their act "The Down Home Folks", including their little son, Jarrett in the act.  In the 1960's Robertson, then living in Springfield, Mo., became interested in fiddling again, and began to play local square dances and write original tunes. Lonnie issued records on his own label, Caney Mountain Records, named for a glorified hill near his home town.   
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Revision as of 23:29, 20 August 2023


Lonnie Robertson


     
 Given name:     
 Middle name:     
 Family name:     Robertson
 Place of birth:     Longrun, southern Missouri
 Place of death:     
 Year of birth:     1908
 Year of death:     
 Profile:     
 Source of information:     
     

Biographical notes


LONNIE ROBERTSON (1908-) was born and raised in Longrun, southern Missouri, about 10 miles from the Arkansas-Missouri line, in the Ozarks Mountains. His father Jarrett, was a fiddler, but died when Lonnie was 13. leaving Lonnie to learn and absorb repertoire from neighbors and friends; particularly influential were Johnny Mashburn and Johnny Tabor, the former who played lead on his instrument, while Tabor seconded on the bass strings of his fiddle with rhythm and chords. In the 1930's Robertson teamed up with guitarist and singer Roy McGeorge and the two performed over KFEQ in St. Joseph, and later at stations in Omaha and Lincoln, Nebraska. They sang in the close harmony "brother" style popular at the time, playing mandolin and guitar and singing mostly western songs. Later the duo teamed up with banjo player Homer Davenport to become "The Boys from the Hills." In the early days of World War II he teamed up with his wife Thelma for a duet act, eventually calling their act "The Down Home Folks", including their little son, Jarrett in the act. In the 1960's Robertson, then living in Springfield, Mo., became interested in fiddling again, and began to play local square dances and write original tunes. Lonnie issued records on his own label, Caney Mountain Records, named for a glorified hill near his home town.