Chorus Jig (1): Difference between revisions
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d/>B/c/>A/ B/>G/F/>G/|A/>B/c/>d/ e/>f/g/>e/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/G:|| | d/>B/c/>A/ B/>G/F/>G/|A/>B/c/>d/ e/>f/g/>e/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/G:|| | ||
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B/G/F/G/ A/d/c/d/|AB/c/ d/B/c/A/|B/G/F/G/ A/c/B/A/|GB/c/ d/B/c/A/| | B/G/F/G/ A/d/c/d/|AB/c/ d/B/c/A/|B/G/F/G/ A/c/B/A/|GB/c/ d/B/c/A/| | ||
B/G/F/G/ A/B/c/d/|e/f/g/e/ d/B/c/A/|B/G/F/G/ A/c/B/A/|G2|| | B/G/F/G/ A/B/c/d/|e/f/g/e/ d/B/c/A/|B/G/F/G/ A/c/B/A/|G2|| | ||
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<section begin= | <section begin=X11 /> | ||
X:1 | |||
T:Chorus Jig [1] | |||
M:C| | |||
L:1/8 | |||
N:Martin called it “Coleman’s Reel” identifying ‘Mike Coleman’, Irish, as the | |||
N:source for the tune, also linking him to the Henry Ford contests as winner | |||
N: of the “$10,000” fiddle as a prize. | |||
N:From an August 1, 1966, field recording of the playing of Fidel | |||
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded | |||
N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that | |||
N:consisted of “Down East”, Acadian, Irish, American and French-Canadian tunes. | |||
D: https://bmac.libs.uga.edu/index.php/Detail/objects/331630 | |||
F:UGA Brown Media Archives: identifier artrosen_00180 (Track 9 -22:17 of the tape) | |||
Z:Transcribed by Andrew Kuntz | |||
K:D | |||
P:A | |||
ag|ffdf a2ag|ffdf a2 d2|defg afag|(f/g/f) ef {ga}g2ag| | |||
ffdf a2ag|ffdf a2 d2|defg abag|(f/g/f) ef J.gz|| | |||
P:B | |||
K:G | |||
Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|Ac (B/4c/4B/A) GABc| | |||
dBcA B(GFG)|A(Bcd) ef (g/f/g)|dBcA B(GFG)|AcBA .G2|| | |||
K:D | |||
P:C | |||
{ab}ag|:fded fded|fdfg abag|fded fded|cdef {ga}g2ag| | |||
fded fded|fdfg abag|fded fded|1cdef .[dg]zag:|2 cdef .[dg]|| | |||
P:B' | |||
K:G | |||
Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|.[DA]z[DB]A GABc| | |||
dB (c/B/A) BGF-G|ABcd ef{a}ge|dB-cc BGFG|AcBA G2|| | |||
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<section begin=X14 /> | |||
X:1 | X:1 | ||
T:Chorus Jig [1] | T:Chorus Jig [1] | ||
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||Bc|dBcA BGFG|Ad ^cd A2 B=c|dBcA BGFG|AcBA G2Bc| | ||Bc|dBcA BGFG|Ad ^cd A2 B=c|dBcA BGFG|AcBA G2Bc| | ||
d2 (3cdc BGFG|ABcd efge|dBcA BGFG|AcBA G2|] | d2 (3cdc BGFG|ABcd efge|dBcA BGFG|AcBA G2|] | ||
<section end= | <section end=X14 /> | ||
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Revision as of 02:09, 10 January 2024
X:1 T:Chorus Jigg [1] M:2/4 L:1/8 R:Reel S: Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, pp. 7-8) Z:AK/Fiddler’s Companion K:G F/E/D/F/ A/B/A/G/|F/E/D/F/ AA/G/|F/E/D/F/ A/B/A/G/|F/c/B/A/ G2:| |:d/B/c/A/ B/G/A/F/|A/d/c/B/ AA|d/B/c/A/ B/G/A/F/|G/c/B/A/ G2:| |:fdfd|f/d/f/g/ a/b/a/g/|fdfd|c/d/e/f/ g2:| |:d/B/c/A/ B/G/A/F/|A/d/c/B/ AA|d/B/c/A/ B/G/A/F/|G/c/B/A/ G2:|]
X: 10621
T: CHORUS JIG [1]
C:
%R: reel
B: Elias Howe "The Musician's Companion" Part 1 1842 p.62 #1
S: http://imslp.org/wiki/The_Musician's_Companion_(Howe,_Elias)
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: Dmix
% - - - - - - - - - - - - - - - - - - - - - - - - -
(AG) |\
F2(DF) (AB)(AG) | (FA)(DF) A2d2 | D2(DF) (AB)(AF) | (GF)(EF) G2(AG) |
F2(DF) (AB)(AG) | (FA)(DF) A2d2 | (DF)(DF) (AB)(AG) | (GF)(EF) G2 |]
Bc |\
d>Bc>A B>GA>F | (Ad)(cB) A2B>c | d>Bc>A B>GA>F | (Ac)(BA) G2B>c |
d>Bc>A B>GA>F | A>Bc>d e>fg>e | d>Bc>A B>GA>F | A>cB>A G2 |]
a>g |\
(fd)dd (fd)dd | (Ad)(fa) (ab)(ag) | (fd)dd (fd)dd | (Ad)(ef) g2(ag) |
(fd)dd (fd)dd | (Ad)(fa) (ab)(ag) | (df)ff (df)ff | (ed)(ef) g2 |]
[fB]>[ec] |\
d>Bc>A B>GF>G | (Ad)(^cd) A2B>c | d>Bc>A B>GF>G | (Ac)(BA) G2B>c |
d>Bc>A B>GF>G | (AB)(cd) (ef)(ge) | d>Bc>A B>GF>G | (Ac)(BA) G2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - -
X:1
T:Chorus Jig [1]
M:2/4
L:1/8
R:Reel
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 2, p. 98)
Z:AK/Fiddler’s Companion
K:G
F/D/D/F/ A/B/A/G/|F/D/D/F/ A{^c}d|F/D/D/F/ A/B/A/G/|1(3F/D/E/F/ GG:|2 F/D/E/F/ G||
|:(B/c/)|d/B/c/A/ B/G/F/G/|A/d/c/B/ A(B/c/)|d/B/c/A/ B/G/F/G/|A/c/B/A/ G:|
|:(e/g/)|f/d/A/d/ f/d/A/d/|f/e/f/g/ a(a/g/)|f/d/A/d/ f/d/A/d/|e/d/e/f/ g:|
|:(f/e/)|d/B/c/A/ B/G/F/G/|A/d/c/B/ A(B/c/)|d/B/c/A/ B/G/F/G/|1 A/c/B/A/ G(B/c/):|2 (A/c/).B/.A/ Gz||
X:1
T:Chorus Jig [1]
M:2/4
L:1/8
B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 61)
Z:AK/Fiddler’s Companion
K:G
d/c/|B/G/G/B/ d/e/d/c/ |B/G/G/B/ d d/c/|B/G/G/B/ d/e/d/c/ |B/G/G/B/ c:|
|:d/e/4f/4|gfed|d/g/f/g/ d d/e/4f/4|g/e/f/d/ e/c/d/B/ |c/B/A/B/ c:|
|:a/b/4c'/4|b/g/g/b/ b/g/g/b/|b/g/g/b/ d’d/c'/|b/g/g/b/ b/g/g/b/|a/g/a/b/ c'|
b/a/|g/e/f/d/ e/c/d/B/|d/g/f/g/ d d/e/4f/4|g/e/f/d/ e/c/d/B/|c/B/A/B/ c:|]
X:2
T:Chorus Jig [1]
M:2/4
L:1/8
R:Reel
S:Edison Cole (Freedom, N.H.)
K:G
A/G/|FD/F/ A/B/A/G/|(3F/G/A/ D/F/ Ad|DD/F/ A/B/A/F/|(3G/F/G E/F/ GA/G/|
FD/F/ A/B/A/G/|(3F/G/A/ D/F/ Ad|D/F/D/F/ A/B/ (3A/G/F/|G/F/E/F/ G:|
|:G/4A/4B/4c/4|d/>B/c/>A/ B/>G/F/>G/|A/>D/^c/>d/ A(3B/=c/^c/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/B/ GB/>c/|
d/>B/c/>A/ B/>G/F/>G/|A/>B/c/>d/ e/>f/g/>e/|d/>B/c/>A/ B/>G/F/>G/|(3A/>B/c/ (3B/>A/G:||
X:3
T:Chorus Jig [1]
M:2/4
L:1/8
R:Reel
S:Ed Larkin, Chelsea, Vt. 1939
B:Post - Music in Rural New England 1870-1940 (2004, p. 92)
K:G
D>F|AA D/F/D/F/|AA D>F|AB/A/ G/F/E/F/|GA/G/ D/F/D/F/|
A/B/A/G/ F/D/F/G/|Ad D>F|AB/A/ G/F/E/F/|G A/B/4c/4 d/B/c/A/|
B/G/F/G/ A/d/c/d/|AB/c/ d/B/c/A/|B/G/F/G/ A/c/B/A/|GB/c/ d/B/c/A/|
B/G/F/G/ A/B/c/d/|e/f/g/e/ d/B/c/A/|B/G/F/G/ A/c/B/A/|G2||
X:1
T:Chorus Jig [1]
M:C|
L:1/8
N:Martin called it “Coleman’s Reel” identifying ‘Mike Coleman’, Irish, as the
N:source for the tune, also linking him to the Henry Ford contests as winner
N: of the “$10,000” fiddle as a prize.
N:From an August 1, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of “Down East”, Acadian, Irish, American and French-Canadian tunes. D: https://bmac.libs.uga.edu/index.php/Detail/objects/331630 F:UGA Brown Media Archives: identifier artrosen_00180 (Track 9 -22:17 of the tape) Z:Transcribed by Andrew Kuntz K:D P:A ag|ffdf a2ag|ffdf a2 d2|defg afag|(f/g/f) ef {ga}g2ag| ffdf a2ag|ffdf a2 d2|defg abag|(f/g/f) ef J.gz|| P:B K:G Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|Ac (B/4c/4B/A) GABc| dBcA B(GFG)|A(Bcd) ef (g/f/g)|dBcA B(GFG)|AcBA .G2|| K:D P:C {ab}ag|:fded fded|fdfg abag|fded fded|cdef {ga}g2ag| fded fded|fdfg abag|fded fded|1cdef .[dg]zag:|2 cdef .[dg]|| P:B' K:G Bc|dB (c/B/A) B(GFG)|A(dcd) AABc|dB (c/B/A) B(GFG)|.[DA]z[DB]A GABc| dB (c/B/A) BGF-G|ABcd ef{a}ge|dB-cc BGFG|AcBA G2||
X:1
T:Chorus Jig [1]
M:2/4
L:1/16
R:Reel
K:D
AG|F2DF ABAG|FADF A2d2|D3F ABAF|GFEF G2:|
K:G
||Bc|dBcA BGFG|Ad ^cd A2B=c|dBcA BGFG|AcBA G2Bc|
dBcA BGFG|ABcd efge|dBcA BGFG|AcBA G2||
K:D
|:ag|fddd fddd|fdfg abag|fddd fddd|=cdef g2:|
K:G
||Bc|dBcA BGFG|Ad ^cd A2 B=c|dBcA BGFG|AcBA G2Bc|
d2 (3cdc BGFG|ABcd efge|dBcA BGFG|AcBA G2|]