Silver Lake (2): Difference between revisions
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X:1 | |||
T:Silverlake Varsovienna, The | |||
M:3/4 | |||
L:1/8 | |||
S:Philip Carolan music manuscript collection | |||
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate | |||
N:farmer and fiddler who compiled his ms. probably during 1863-1873. | |||
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of | |||
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, | |||
S:2007, p. 87. Carolan ms. 1, No. 270. | |||
K:F | |||
(A>B)|(c2f2)e2|B4 (G>A)|(B2d2)c2|A4 (A>A)|(A2G2)A2|B4 (B>c)|d2E2E2|F4!fine!|| | |||
F2|{e}d-^c d2F2|{d}(c=B) c2F2|{c}BA B2d2|c4 F2| {e}d-^c d2F2|{d}(c=B) c2F2|{c}B>A B2E2|F4|| | |||
(A>B)|c2-f2 e2|B4 G>A|B2-d2 c2|A4 (A>A)|A2-G2A2|B4 (B>c)|d2E2E2|F4|| | |||
(E>F)|GF G2G2|AG A2A2|BA B2B2|c4 c>d|e>^d e2G2|d>^c d2F2|BA B2B2|c4!D.C.!|| | |||
<section end=X1 /> | |||
<section begin=abc /> | <section begin=abc /> | ||
X: 1 | X: 1 | ||
Revision as of 03:13, 28 January 2024
X:1 T:Silverlake Varsovienna, The M:3/4 L:1/8 S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p. 87. Carolan ms. 1, No. 270. K:F (A>B)|(c2f2)e2|B4 (G>A)|(B2d2)c2|A4 (A>A)|(A2G2)A2|B4 (B>c)|d2E2E2|F4!fine!|| F2|{e}d-^c d2F2|{d}(c=B) c2F2|{c}BA B2d2|c4 F2| {e}d-^c d2F2|{d}(c=B) c2F2|{c}B>A B2E2|F4|| (A>B)|c2-f2 e2|B4 G>A|B2-d2 c2|A4 (A>A)|A2-G2A2|B4 (B>c)|d2E2E2|F4|| (E>F)|GF G2G2|AG A2A2|BA B2B2|c4 c>d|e>^d e2G2|d>^c d2F2|BA B2B2|c4!D.C.!||
X: 1
T: "the SILVER LAKE" VARSOVIANA
R: Varsoviana
%R: varsoviana, waltz
B: James Kerr "Merry Melodies" v.4 p.47 #425
Z: 2016 John Chambers <jc:trillian.mit.edu>
N: There are "1st time", "2nd time", "3rd time" bracketed notations above the 2nd, 3rd, 4th strains.
N: These have been omitted, since they're just a redundant way of of indicating a rondo, which the "D.C." markings also do.
M: 3/4
L: 1/8
F:http://www.john-chambers.us/~jc/music/book/Kerr/MM4/4425_the_Silver_Lake_Varsoviana.abc
K: G
B>c |\
d2 g2 f2 | c4 A>B |c2 e2 d2 | B4 B>B |B2 A2 B2 | c4 c>d |
e2 F2 F2 | G4 ::G2 |e>^d e2 G2 | d>^c d2 G2 |c>B c2 d2 |
d4 G2 |e>^d e2 G2 | d>^c d2 G2 |c>B c2 F2 | "_D.C."G4 :|
|:d2 |b>^a b2 d2 | b>^a b2 d2 |b>^a b2 c'2 | a4 d2 |a>^g a2 d2 | a>^g a2 d2 |
a>^g a2 b2 | "_D.C."G4 ::[K:=f] E>F |G>^F G2 G2 | A>^G A2 A2 |
B>A B2 G2 | c4 G2 |e>^d e2 G2 | d>^c d2 A2 |B>A B2 g2 | "_D.C."c4 :|