Spanish Waltz (5): Difference between revisions
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S:John Moore (Shropshire, 1837) | S:John Moore (Shropshire, 1837) | ||
K:C | K:C | ||
G2|(Gc).e2.e2|(FA).d2.d2|(DF).B2.B2|a2 g^f g2| | G2|(Gc).e2.e2|(FA).d2.d2|(DF).B2.B2|a2 g^f g2|(Gc) .e2.e2|(FA) .d2.d2|DF .B2.B2|c4:| | ||
(Gc) .e2.e2|(FA) .d2.d2|DF .B2.B2|c4:| | |:cB|c/d/e/f/^f/g/|g2 c'4|c'2 d'4|d'2 e'4|c/d/e/f/^f/g/|^g2 c'4|c'2d'4|c'2z:|] | ||
|:cB|c/d/e/f/^f/g/|g2 c'4|c'2 d'4|d'2 e'4| | |||
c/d/e/f/^f/g/|^g2 c'4|c'2d'4|c'2z:|] | |||
<section end=abc /> | <section end=abc /> | ||
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Revision as of 02:58, 22 February 2024
X:1 T:Spanish Waltz [5] M:3/4 L:1/8 R:Waltz N:See https://www.vwml.org/search?q=Spanish%20Waltz&is=1 N:for Moore’s handwritten manuscript page. Note the dots over the N:high notes in the second strain, which may be a shorthand meaning N:that four eighth notes should be played rather than the half-note. S:John Moore (Shropshire, 1837) K:C G2|(Gc).e2.e2|(FA).d2.d2|(DF).B2.B2|a2 g^f g2|(Gc) .e2.e2|(FA) .d2.d2|DF .B2.B2|c4:| |:cB|c/d/e/f/^f/g/|g2 c'4|c'2 d'4|d'2 e'4|c/d/e/f/^f/g/|^g2 c'4|c'2d'4|c'2z:|]