Since Love is the Plan: Difference between revisions

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B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 237, p. 64)
B: https://archive.org/details/flutemelodies0000rile/page/n79/mode/2up
Z:AK/Fiddler’s Companion
K:D
d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2 d/e/|
fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2 f/e/|
dfa dfa|dfa a>gf/e/|dfa dfa|bee e>gf/e/|
dfa dfa|dd'b {b}a>ba/g/|fdB AGF|Eee e2 d/e/|fdB AFA|
Bdd d2F|GGG FFF|Egf e2 d/e/|fdB AFA|Bdd d2||
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f|(fa).c' (fa).c'|(fa).c' .c'2f|(fa).c (f{gfef}a).c'|d'gg {^fga}!fermata!g2 =f|
f|(fa).c' (fa).c'|(fa).c' .c'2f|(fa).c (f{gfef}a).c'|d'gg {^fga}!fermata!g2 =f|
(fa).c' (fa).c'|(f{gfef}f')-d' !fermata!c'2 (c'/b/)|(af).d (c>B).A|(Gg).g .g2 (c'/b/)|(af).d (c>A).c|(Ff)(.f {efg}f2)||
(fa).c' (fa).c'|(f{gfef}f')-d' !fermata!c'2 (c'/b/)|(af).d (c>B).A|(Gg).g .g2 (c'/b/)|(af).d (c>A).c|(Ff)(.f {efg}f2)||
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ceg ceg|ec’a {a}g>ag/f/|ecA GFE|Ddd d2 c/d/|ecA GEG|
ceg ceg|ec’a {a}g>ag/f/|ecA GFE|Ddd d2 c/d/|ecA GEG|
Acc c2E|FFF EEE|Dfe d2c/d/|ecA GEG|Acc c2||
Acc c2E|FFF EEE|Dfe d2c/d/|ecA GEG|Acc c2||
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d | dfa dfa | dfa a2 d | dfa dfa | bee e2 d | dfa dfa|  
d | dfa dfa | dfa a2 d | dfa dfa | bee e2 d | dfa dfa|  
dd'b a2 a/g/ |fdB AGF | Eee e2 a/g/ | fdB AFA | Ddd d2 ||  
dd'b a2 a/g/ |fdB AGF | Eee e2 a/g/ | fdB AFA | Ddd d2 ||  
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Revision as of 05:11, 8 March 2024


Since Love is the Plan  Click on the tune title to see or modify Since Love is the Plan's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Since Love is the Plan
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 Theme code Index    3H522H 3H511H
 Also known as    Irish Lover's Morning Walk (The), Whistle and I’ll Wait for You, Whistle and I'll Come to You My Lad
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4, 6/8
 History    
 Structure    AB
 Editor/Compiler    Biography:J. Clinton
 Book/Manuscript title    Book:Gems of Ireland: 200 Airs
 Tune and/or Page number    No. 28, p. 14
 Year of publication/Date of MS    1841
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Since Love is the Plan: Annotations

X:1 T:Since Love is the Plan M:6/8 L:1/8 B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 237, p. 64) B: https://archive.org/details/flutemelodies0000rile/page/n79/mode/2up Z:AK/Fiddler’s Companion K:D d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2 d/e/| fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2 f/e/| dfa dfa|dfa a>gf/e/|dfa dfa|bee e>gf/e/| dfa dfa|dd'b {b}a>ba/g/|fdB AGF|Eee e2 d/e/|fdB AFA| Bdd d2F|GGG FFF|Egf e2 d/e/|fdB AFA|Bdd d2||


X:1 T:Since Love is the Plan M:6/8 L:1/8 R:Air Q:"Allegretto moderato" B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 28, p. 14) Z:AK/Fiddler’s Companion K:F (f/g/)|(af).d (cB).A|(Gg).g .g2 (f/g/)|(af).d (cA).c|(Ff).f f2 (f/g/)| (af).d c(d/c/B/A/)|(Gg).g .g2 (f/g/)|(af).d (cA).c|(Ff).f f2|| f|(fa).c' (fa).c'|(fa).c' .c'2f|(fa).c (f{gfef}a).c'|d'gg {^fga}!fermata!g2 =f| (fa).c' (fa).c'|(f{gfef}f')-d' !fermata!c'2 (c'/b/)|(af).d (c>B).A|(Gg).g .g2 (c'/b/)|(af).d (c>A).c|(Ff)(.f {efg}f2)||


X:1 T:Since Love is the Plan M:6/8 L:1/8 R:Air B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 606) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:C (c/d/)|ecA GFE|Ddd d2 c/d/|ecA GEG|Acc c2 c/d/| ecA GFE|Ddd d2 c/d/|ecA GEG|Acc c2 e/d/| ceg ceg|ceg g>fe/d/|ceg ceg|add d>fe/d/| ceg ceg|ec’a {a}g>ag/f/|ecA GFE|Ddd d2 c/d/|ecA GEG| Acc c2E|FFF EEE|Dfe d2c/d/|ecA GEG|Acc c2||


X:1 T:Since Love is the Plan M:6/8 L:1/8 R:Air Q:"Moderate" S:O’Neill’s Irish Music (1915), No. 65 Z:AK/Fiddler’s Companion K:D d/e/ | fdB AGF | Eee e2 d/e/ | fdB AFA | Ddd d2 d/e/ | fdB AB/A/G/F/ | Eee e2 d/e/ | fdB AFA | Ddd d2 || d | dfa dfa | dfa a2 d | dfa dfa | bee e2 d | dfa dfa| dd'b a2 a/g/ |fdB AGF | Eee e2 a/g/ | fdB AFA | Ddd d2 ||


Since Love is the Plan: Annotations

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