Berks of Endermay (The): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Berks of Endermay (The)
|f_tune_title=Berks of Endermay (The)
|f_aka=Birks of Invermay (The)
|f_aka=Birks of Envermay, Birks of Invermay (The)
|f_country=Scotland
|f_country=Scotland
|f_genre=Scottish
|f_genre=Scottish
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|:AG|F3A BABd|edef B3b|a>bag/f/ gfed|{ef}g2 fe e3a|
|:AG|F3A BABd|edef B3b|a>bag/f/ gfed|{ef}g2 fe e3a|
fabc' d'3b|afed B2 fe|dBAF A2 de|f2 Te>d d2:|]
fabc' d'3b|afed B2 fe|dBAF A2 de|f2 Te>d d2:|]
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X:1
T:Birks of Envermay, The
M:C
L:1/8
R:Air
N:”Slow”
B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 8)
F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
N:Francis Barsanti  (1690-1775) was  an Italian flautist, oboist and composer who spent
N:most of his life in London and Edinburgh.
Z:AK/Fiddler’s Companion
K:A
V:1
(cd)|{cd}e3f (ec)(BA)|T>BABc F3A|E>FEC E2 A>E|C2 E>FE2 (A/B/c/d/)|
e3f (ec)T(BA)|(dc)T(BA) F3A|E>FEC E2 A>B|Jc2 T(B>A) A2:|
|:E>D|C3E F>EFA|TB>AB>c F3f|e>fec (dc)T(BA)|{Bc}d2 T(c2{Bc}B3) e|
cefg a3f|(ec)T(BA) F2 TcB|AFTEC E2 A>B|Jc2 T(B>A) A2:|
V:2  clef = bass
z2|A,,B,,C,D, C,2 zF,|B,,2C,2 F,G,A,F,|G,3A, G,CF,G,|A,B,CD E2z2|
A,,B,,C,D, C,2 zF,|B,,2C,2 F,G,A,F,|G,3A, E,D,C,D,|E,2E,,2A,,2:|
|:z2|A,B,CA, D,3C,|B,,2C,,2 F,G,A,F,|G,3A, F,E,D,C,|B,,G,,A,,A, E,F,G,E,|
A,3B, CB,CD|C3 C, D,2E,2|F,2 G,A, E,D,C,D,|E,2E,,2A,,2:|
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X:1
X:1
T:Berks of Endermay, The
T:Berks of Endermay, The
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fabc' {c'}d'3b|{b}af{f}ed B2 T(f>e)|(dc/B/) A(G/F/) A2 (d>e)|{de}f2 T(e>d) d2:|]
fabc' {c'}d'3b|{b}af{f}ed B2 T(f>e)|(dc/B/) A(G/F/) A2 (d>e)|{de}f2 T(e>d) d2:|]


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Latest revision as of 16:46, 11 March 2024


Berks of Endermay (The)  Click on the tune title to see or modify Berks of Endermay (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Berks of Endermay (The)
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 Theme code Index    5H5H5H2H 2H2H66
 Also known as    Birks of Envermay, Birks of Invermay (The)
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABBCCDD
 Editor/Compiler    Biography:William Thomson
 Book/Manuscript title    Book:Orpheus Caledonius vol. 2
 Tune and/or Page number    No. 43, p. 177
 Year of publication/Date of MS    1733
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Birks of Endermay, The M:C L:1/8 R:Air B: William Thomson - Orpheus Caledonius, vol. II (1733, No. 43, p. 177) B: https://digital.nls.uk/special-collections-of-printed-music/archive/91482038 N:Thomson (c. 1695-1753) was a Scottish singer and folk song collector N:who lived in London for most of his adult career. Z:AK/Fiddler’s Companion P:Vocal setting: K:A cd|e3f ec BA|BAB c F3 A|E>FE C E2 AE|C2 E>F E2 cd| e3a ec BA|dc BA F3A|E>FE C E2 AB|c2 B>A A2:| |:ED|C3E FEF A|BAB c F3f|e>fe d/c/ dc BA|{Bc}d2 cB B3e| ce fg {g}a3f|ec BA F2 cB|AF EC E2 A>B|c2 B>A A2:|] P:"For the German Flute" K:D fg|a3b afed|edef B3d|A>BAF A2 dA|F2 A>B A2 fg| a3b afed|gfed B3d|A>BAF A2 de|f2 Te>d d2:| |:AG|F3A BABd|edef B3b|a>bag/f/ gfed|{ef}g2 fe e3a| fabc' d'3b|afed B2 fe|dBAF A2 de|f2 Te>d d2:|]


X:1 T:Berks of Endermay, The M:C L:1/8 B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 1, p. 2) Z:AK/Fiddler's Companion K:D f>g|a3b afTed|{f}Te>de>f {c}B3d|A>BA>F (AB/c/) dA|F>GAB {B}TA2 f>g| {b}Ta3b (afed)|ggfed {c}TB2 f>e|d>B A>F A2 d>e|{f}Te3d d4:| |:A>G|{G}TF3A (B>AB>d)|Te>de>f {c}B3b|Ta>ba>f g>fTe>d|e>fg>f {f}Te3a| f>ab>c' d'3b|a>fe>d {c}TB2 fe|(dBAF) A2 de|{f}Te3d d4:| "Piano" f>g|a3b (b/a/g/f/) (g/f/e/d/)|(e/f/g/a/) (b/a/g/f/) [c}TB2 f>e|(d/e/d/B/) AF (AB/c/) dA| F>GA>B {B}TA2 f>g|a3 {bd'}d' (b/a/g/f/ ) (g/f/e/d)|e>f (3f/e/d/ (3f/e/d/ {c}TB2 f>e| .d/.c/.B/.A/ .G/.F/.E/.D/ AB/c/ .d/D/.e/E/|[f}e3d d4:| |:A>G|{G}TF3A B>A (B/A/B/d/)|e>f (3gfe (3fed {c}B3b|a>b a/b/a/f/ .g.f.e.d|(e/f/g/a/) (b/g/f/g/) {f}Te3a| (f/d/e/f/) (g/a/b/c'/) d'2 c'>b|(b/a/g/f/) g/f/e/d/ {c}TB2 f>e|.d/.c/.B/.A/ G/F/E/D/ (3A/B/A/ B/c/ de|Te3d d4:||


X:1 T:Birks of Envermay, The M:C L:1/8 R:Air N:”Slow” B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 8) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:A V:1 (cd)|{cd}e3f (ec)(BA)|T>BABc F3A|E>FEC E2 A>E|C2 E>FE2 (A/B/c/d/)| e3f (ec)T(BA)|(dc)T(BA) F3A|E>FEC E2 A>B|Jc2 T(B>A) A2:| |:E>D|C3E F>EFA|TB>AB>c F3f|e>fec (dc)T(BA)|{Bc}d2 T(c2{Bc}B3) e| cefg a3f|(ec)T(BA) F2 TcB|AFTEC E2 A>B|Jc2 T(B>A) A2:| V:2 clef = bass z2|A,,B,,C,D, C,2 zF,|B,,2C,2 F,G,A,F,|G,3A, G,CF,G,|A,B,CD E2z2| A,,B,,C,D, C,2 zF,|B,,2C,2 F,G,A,F,|G,3A, E,D,C,D,|E,2E,,2A,,2:| |:z2|A,B,CA, D,3C,|B,,2C,,2 F,G,A,F,|G,3A, F,E,D,C,|B,,G,,A,,A, E,F,G,E,| A,3B, CB,CD|C3 C, D,2E,2|F,2 G,A, E,D,C,D,|E,2E,,2A,,2:|


X:1 T:Berks of Endermay, The M:C L:1/8 R:Air Q:"Slow" B:Oswald – Caledonian Pocket Companion, Book 2 (1760, p. 21) Z:AK/Fiddler’s Companion K:D (d/e/f/g/)|a3b af(e>d)|(e>d)(e>f) B3d|A>BAF A2 (D>E)|F2 (A>B) A2 (f>g)| a3d’ (a<f) T(e>d)|(gfed) B3d|A>BAF A2 (d>e)|{de}f2 Te>d d2:| |:(A>G)|{G}TF3A BABd|Tedef B3b|ab a(g/f/) {ef}gfT(ed)|(e/f/g/a/) Tf>e e3a| fabc' {c'}d'3b|{b}af{f}ed B2 T(f>e)|(dc/B/) A(G/F/) A2 (d>e)|{de}f2 T(e>d) d2:|]