Annotation:Tuttle's Reel: Difference between revisions
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|f_annotation='''TUTTLE'S REEL.''' AKA and see "[[Bearna 'n Aonaig]]," “[[Custom Gap (The)]],” "[[Jug of Punch (2)]]," “[[Mills are Grinding (3) (The)]],” “[[Porthole of the Kelp (The)]]," "[[Windy Gap (2)]].” Irish, Reel. A Minor. Standard tuning (fiddle). AA’BB’. "[[Dunmore Lasses (The)]]" is a related tune, certainly in the first strain, though the second strains differ somewhat. The melody erroneously appears under the title “[[Jug of Punch (2)]]” in Bulmer & Sharpley ('''Music from Ireland, vol. 4''' (1976, No. 29). Fiddler Paddy Sweeney recorded the tune on a 78 RPM recording under the title “The Custom Gap.” The “Tuttle’s Reel” title comes from Clare fiddler Bobby Casey, who had the tune from his friend, fiddler John Joe Tuttle, however, Tuttle himself said he had it from the Paddy Sweeney recording. | |f_annotation='''TUTTLE'S REEL.''' AKA and see "[[Bearna 'n Aonaig]]," “[[Custom Gap (The)]],” "[[Jug of Punch (2)]]," “[[Mills are Grinding (3) (The)]],” “[[Porthole of the Kelp (The)]]," "[[Windy Gap (2)]].” Irish, Reel. A Minor. Standard tuning (fiddle). AA’BB’. "[[Dunmore Lasses (The)]]" is a related tune, certainly in the first strain, though the second strains differ somewhat. The melody erroneously appears under the title “[[Jug of Punch (2)]]” in Bulmer & Sharpley ('''Music from Ireland, vol. 4''' (1976, No. 29). Fiddler Paddy Sweeney recorded the tune on a 78 RPM recording under the title “The Custom Gap.” The “Tuttle’s Reel” title comes from Clare fiddler Bobby Casey, who had the tune from his friend, fiddler John Joe Tuttle, however, Tuttle himself said he had it from the Paddy Sweeney recording. | ||
|f_printed_sources=Breathnach ('''Ceol Rince na hÉireann vol. II'''); No. 223, p. 116 (appears as “Gan ainm--untitled”). Susan Songer with Clyde Curley ('''Portland Collection vol. 3'''), 2015; p. 214. | |f_printed_sources=Breathnach ('''Ceol Rince na hÉireann vol. II'''); No. 223, p. 116 (appears as “Gan ainm--untitled”). Susan Songer with Clyde Curley ('''Portland Collection vol. 3'''), 2015; p. 214. | ||
|f_recorded_sources=Folkways F 8876, Kevin Burke - "Sweeney's Dream. Fiddle Tunes from County Sligo, Ireland" (1977). Green Linnet SIF 1052, Kevin Burke - “Up Close.” Rounder 0175, James Bryan ‑ "Lookout Blues" (1983. Learned from County Clare fiddler Bobby Casey). Bobby Casey (County Clare) – “Taking Flight.” | |f_recorded_sources=Alia Vox AVSA 9878, Jordi Savall - "The Celtic Viol. II" (2010). Folkways F 8876, Kevin Burke - "Sweeney's Dream. Fiddle Tunes from County Sligo, Ireland" (1977). Green Linnet SIF 1052, Kevin Burke - “Up Close.” Rounder 0175, James Bryan ‑ "Lookout Blues" (1983. Learned from County Clare fiddler Bobby Casey). Bobby Casey (County Clare) – “Taking Flight.” | ||
|f_see_also_listing=Alan Ng's Irishtune.info [https://www.irishtune.info/tune/1982/]<br> | |f_see_also_listing=Alan Ng's Irishtune.info [https://www.irishtune.info/tune/1982/]<br> | ||
Alan Snyder's Cape Breton Fiddle Recordings Index [https://www.cbfiddle.com/rx/tune/t5139.html]<br> | Alan Snyder's Cape Breton Fiddle Recordings Index [https://www.cbfiddle.com/rx/tune/t5139.html]<br> | ||
}} | }} | ||
Latest revision as of 04:15, 2 April 2024
X:1 T:Tuttle’s Reel R:Reel M:4/4 L:1/8 K:A Minor A,2 DE (F3 G) | (3AcA Gc AcGc | A,2 DE FAdB | cAGE (3FED EC | A,2 DE ~F3 G | (3AcA Gc Adde | fd{e}dc dcAB | cAGE ED{E}D2 :| d3A ~c3 A | ~d3 A cAGA | d2{e}dA cedc | {d}cAGE {F}EDFA | A(dcd) A(cBc) | A(dcd) cAGA | fd{e}dc dcAB | cAGE EDFD| d2D A c2 DA | ~d3 A cAGA | d2{e}dA cedc | {d}cAGE {F}EDFA | d2 (3DDD c2 (3DDD | d2 (3DDD cAGA | fd{e}dA dcAB | {d}cAGE EDD2 ||
TUTTLE'S REEL. AKA and see "Bearna 'n Aonaig," “Custom Gap (The),” "Jug of Punch (2)," “Mills are Grinding (3) (The),” “Porthole of the Kelp (The)," "Windy Gap (2).” Irish, Reel. A Minor. Standard tuning (fiddle). AA’BB’. "Dunmore Lasses (The)" is a related tune, certainly in the first strain, though the second strains differ somewhat. The melody erroneously appears under the title “Jug of Punch (2)” in Bulmer & Sharpley (Music from Ireland, vol. 4 (1976, No. 29). Fiddler Paddy Sweeney recorded the tune on a 78 RPM recording under the title “The Custom Gap.” The “Tuttle’s Reel” title comes from Clare fiddler Bobby Casey, who had the tune from his friend, fiddler John Joe Tuttle, however, Tuttle himself said he had it from the Paddy Sweeney recording.
