Annotation:Sorry Too Late: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Sorry_Too_Late > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Sorry_Too_Late > | ||
|f_annotation='''SORRY, TOO LATE''' (Aitreac romall). Irish, Hornpipe (cut time). G Major. Standard tuning (fiddle). AABB. The melody was first published by Francis O’Neill in 1903 and does not appear in older collections. Paul de Grae believes it may be a composition of O’Neill’s source for the tune, Chicago fiddler [[biography:John McFadden]]. | |f_annotation='''SORRY, TOO LATE''' (Aitreac romall). Irish, Hornpipe (cut time). G Major. Standard tuning (fiddle). AABB. The melody was first published by Francis O’Neill in 1903 and does not appear in older collections. Paul de Grae believes it may be a composition of O’Neill’s source for the tune, Chicago fiddler [[biography:John McFadden|John McFadden]]. | ||
|f_source_for_notated_version=John McFadden [O’Neill]. | |f_source_for_notated_version=John McFadden [O’Neill]. | ||
|f_printed_sources=O'Neill (Krassen), 1976; p. 199. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1706, p. 317. | |f_printed_sources=O'Neill (Krassen), 1976; p. 199. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1706, p. 317. | ||
Latest revision as of 19:45, 9 May 2024
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X:1 T:Sorry Too Late R:hornpipe B:O'Neill's Music of Ireland. 1850 Melodies, 1903, no. 1706 Z:François-Emmanuel de Wasseige L:1/8 M:C| K:G d>c|(3Bcd A>B G>DB,>D|G>B (3def g2 b>f|(3gfe d>B c>de>a|(3gfe (3dcB A>dc>d| B>dA>B G>DB,>D|G>B (3def g2 b>f|(3gfe (3dcB c>ed>c|B>GA>F G2:| |:B>d|(3gag e>g (3faf d>f|g>fe>g f2d2|g>ba>f (3gab (3agf|(3gfe (3dcB A>dc>d| (3Bcd A>B G>DB,>D|G>B (3def g2 b>f|(3gfe (3dcB c>ed>c|B>GA>F G2:|
SORRY, TOO LATE (Aitreac romall). Irish, Hornpipe (cut time). G Major. Standard tuning (fiddle). AABB. The melody was first published by Francis O’Neill in 1903 and does not appear in older collections. Paul de Grae believes it may be a composition of O’Neill’s source for the tune, Chicago fiddler John McFadden.
