Annotation:Ladies Fancy (5): Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
---------- | |||
{{TuneAnnotation | |||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Ladies_Fancy_(5) > | |||
|f_annotation='''LADIES FANCY [5]'''. AKA and see "[[Long Dance (1) (The)]]," "[[Piper's Finish (The)]]." Irish, Jig (6/8 time). D Major. Standard tuning (fiddle). AABBCCDDEEF. May be related in some way to "[[Ladies Fancy (2)]]", and although the melodic material differs there is some similarity in the use of melodic and rhythmic repetition, and some patterns seem similar. Petrie's version sounds very much like a piper's piece. | |||
---- | |f_source_for_notated_version="Mrs. Close" [Stanford/Petrie]. | ||
|f_printed_sources= Charles Villiers Stanford ('''Complete Collection of Petrie's Irish Music'''), 1905; No. 880, pp. 220-221. | |||
---- | |f_recorded_sources= | ||
|f_see_also_listing= | |||
}} | |||
'''LADIES FANCY [5]'''. AKA and see "[[Long Dance]]," "[[Piper's Finish (The)]]." Irish, Jig. D Major. Standard tuning (fiddle). AABBCCDDEEF. May be related in some way to "[[Ladies Fancy (2)]]", and although the melodic material differs there is some similarity in the use of melodic and rhythmic repetition, and some patterns seem similar. Petrie's version sounds very much like a piper's piece. | |||
Latest revision as of 02:04, 27 June 2024
X:1 T:Ladies Fancy [5], The T:Piper's Finish, The T:Long Dance M:6/8 L:1/8 B:Stanford/Petrie (1905, No. 880) Z:AK/Fiddler's Companion K:D DDD FDD|FDF ECE|DDD FEF|AGF ECE:| |:DAF DAF|DAF ECE|DAF DAF|AGF ECE:| |:B/c/dB c2c|B/c/dB c2c|B/c/dB c2c|AGF ECE:| |:dAF dAF|dAF BGE|dAF dAF|ECE GFE:| |:dAF def|dAF BGE|dAF def|dAF BGE:| zAF AFA|zBG BGB|zcA cAc|zdB dBd| zdB zcA|zBG zAF|zGE zFD|ECE GFE||
LADIES FANCY [5]. AKA and see "Long Dance (1) (The)," "Piper's Finish (The)." Irish, Jig (6/8 time). D Major. Standard tuning (fiddle). AABBCCDDEEF. May be related in some way to "Ladies Fancy (2)", and although the melodic material differs there is some similarity in the use of melodic and rhythmic repetition, and some patterns seem similar. Petrie's version sounds very much like a piper's piece.
