Bededine Quadrille (The): Difference between revisions
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(added notes about transposing down for the first score - and notes about the second score.) |
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N:Probably was played on a fiddle tuned one tone down from the standard tuning. | N:Probably was played on a fiddle tuned one tone down from the standard tuning. | ||
N:This transcription aims to show how it would be played on a violin with | |||
N: standard tuning. So it's one tone higher than the recording. | |||
N:From an August 24, 1966, field recording of the playing of Fidel | N:From an August 24, 1966, field recording of the playing of Fidel | ||
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded | N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded | ||
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T:(a simplified version) | T:(a simplified version) | ||
M:6/8 | M:6/8 | ||
N:This is a simplified version based on the Fidel Martin recording. The aim here is just | |||
N:to give the basic melodic structure of the tune, without any frills, ornaments or | |||
N:variations. | |||
N:It's not to be taken too "literally" or seriously - for instance I put gec c2c for the second bar, but | |||
N:it could just as well have put gcc ~c3; that would also work. | |||
L:1/8 | L:1/8 | ||
Z:abc-transcription Malcolm Schonfield% 2024-07-02 | Z:abc-transcription Malcolm Schonfield% 2024-07-02, 07 | ||
Z:abc-copyright CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/2.0/fr/deed.en) | Z:abc-copyright CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/2.0/fr/deed.en) | ||
K:Cmix | K:Cmix | ||
Revision as of 00:57, 7 July 2024
X:2 T:Bededine(?) Quadrille, The T:Perhaps "Belledine" or "Belledune"? T:As played by Fidel Martin M:6/8 L:1/8 N:Probably was played on a fiddle tuned one tone down from the standard tuning. N:This transcription aims to show how it would be played on a violin with N: standard tuning. So it's one tone higher than the recording. N:From an August 24, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of Acadian, Irish, American and French-Canadian tunes. D:UGA Brown Media Archives: identifier artrosen_0056 (Track 17 -06:34 the tape) F:https://bmac.libs.uga.edu/index.php/Detail/objects/331506 Z:Transcribed by Andrew Kuntz; transcription then revised by Malcolm Schonfield % 2024-07-02 K:Dmix P:A dde f2g | afd [d2a2]d | add ded | c2e gag | afg {fg}fef | d2e f2g | aga c'>c'c' | e2a ((3g/a/g/f)e | d2e f2g | a-fd add | add add | Jc2e gag | ((3g/a/g/e)g ((3f/g/f/e)f | d2e f2g | aga c'2c' | [M:9/8]eea ((3g/a/g/f)e ddd|| K:Ddorian P:B [M:6/8]A2d dcd|e2A cde|f2f e2e | ddd A2G| A2d dcd|e2e cde| [M:9/8] fga gec d2d | [M:6/8] AdA dcd|e2e cde|((3f/g/f/e)f eee|dc((3B/c/B/ A)AG| A>dd (dcd)|e2A cde|e(f/g/a) ge!E.D.!c ||
X:1
T:Bédédine(?) Quadrille, The
T:(a simplified version)
M:6/8
N:This is a simplified version based on the Fidel Martin recording. The aim here is just
N:to give the basic melodic structure of the tune, without any frills, ornaments or
N:variations.
N:It's not to be taken too "literally" or seriously - for instance I put gec c2c for the second bar, but
N:it could just as well have put gcc ~c3; that would also work.
L:1/8
Z:abc-transcription Malcolm Schonfield% 2024-07-02, 07
Z:abc-copyright CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/2.0/fr/deed.en)
K:Cmix
P:A
|: c2d e2f | gec c2c | gcc ~c3 | B2d fgf | g2f ~e3 |
c2d e2f | gfg b2b |1 d2g fed :| |2 [M:9/8] d2g fed ccc ||
P:B
K:C dorian
[M:6/8]|:G2c cBc|d2G Bcd|e2e d2d | cBA G2F|
G2c cBc|d2d Bcd|1 [M:9/8] efg fdB c2c :|2 [M:6/8] efg fd!D.C.!B ||