Annotation:Jack on the Green (1): Difference between revisions

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'''JACK O' THE GREEN [1].''' AKA - "[[Cheshire Way (Ye)]]." English, Jig (9/8 or 9/4 time). D Major. Standard tuning (fiddle). AABB. The melody was first printed in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). The melody appears in the 1770 music manuscript copybook of William Vickers, a Northumbrian musician about whom, unfortunately, little is known; it also appears in London musician Thomas Hammersley's 1790 music manuscript copybook. See note for "[[Jack on the Green (2)]]."  
'''JACK O' THE GREEN [1].''' AKA - "[[Cheshire Way (Ye)]]." English, Jig (9/8 or 9/4 time). D Major. Standard tuning (fiddle). AABB. The melody was first printed in the Third Volume of the '''Dancing Master''', 2nd edition, printed in London by John Young in 1726. Young includes the alternate title "Birkhead's Masque." The dance and tune were quickly picked up by Young's competitor, John Walsh, and published in the Third Book of the '''The New Country Dancing Master''' (London, 1728), and thereafter appears in several publications, including David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756) and James Oswald's '''Caledonian Pocket Companion''' (1760). The melody appears in the 1770 music manuscript copybook of William Vickers, a Northumbrian musician about whom, unfortunately, little is known; it also appears in London musician Thomas Hammersley's 1790 music manuscript copybook. See note for "[[Jack on the Green (2)]]."  
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Revision as of 20:37, 18 January 2012

Tune properties and standard notation


JACK O' THE GREEN [1]. AKA - "Cheshire Way (Ye)." English, Jig (9/8 or 9/4 time). D Major. Standard tuning (fiddle). AABB. The melody was first printed in the Third Volume of the Dancing Master, 2nd edition, printed in London by John Young in 1726. Young includes the alternate title "Birkhead's Masque." The dance and tune were quickly picked up by Young's competitor, John Walsh, and published in the Third Book of the The New Country Dancing Master (London, 1728), and thereafter appears in several publications, including David Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances (London, 1756) and James Oswald's Caledonian Pocket Companion (1760). The melody appears in the 1770 music manuscript copybook of William Vickers, a Northumbrian musician about whom, unfortunately, little is known; it also appears in London musician Thomas Hammersley's 1790 music manuscript copybook. See note for "Jack on the Green (2)."

Source for notated version:

Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 1), 1757; No. 186.

Recorded sources:




Tune properties and standard notation