Cold Frosty Morning (2): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Cold Frosty Morning (2) | |f_tune_title=Cold Frosty Morning (2) | ||
|f_aka=Chami Ma Chattle, Cold Frostie Morning, I Am Asleep and Don't Waken Me (2), Past One O'clock | |f_aka=Chami Ma Chattle, Cold Frostie Morning, I Am Asleep and Don't Waken Me (2), Jeanie's Black E'e, Past One O'clock | ||
|f_country=Scotland | |f_country=Scotland | ||
|f_genre=Scottish | |f_genre=Scottish | ||
Revision as of 01:57, 7 February 2012
COLD FROSTY MORNING [2], A. AKA and see "I Am Asleep and Don't Waken Me (2)," "Past One O'clock." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s Apollo’s Banquet, 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera Flora (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's Caledonian Pocket Companion, vol. 4 (1760, p. 16) and Francis Peacock's Fifty Scotch Airs (Aberdeen, 1762). An American musician, Andrew Wilson, included it in his 1782 commonplace book entitled "Brose and Butter" [Library of Congress].
Printed sources: Carlin (The Gow Collection), 1986; No. 588. Gow (Complete Repository), Part 2, 1802; p. 4.
X:1
T:A Cold Frosty Morning [2]
M:3/4
L:1/8
R:Air
S:Gow - 2nd Repository (1802)
Z:AK/Fiddler's Companion
K:F
C2|C>D F2F2|~F4 F2|(GA)(BA)(GF)|{E}D4 C2|
~C>D F2~F2|AB c2f2|{A}G3 FGA|F4:|
cd|~_e3 gfe|{e}d4c2|c2d2 fg|(f2d2) c>d|
(_ed)(eg)(fe)|d4 (d=e/f/)|c>dcA (GA)|
(F2D2) C2|(_ed)egfe|(dc)(Ac)(df)|~c>d cAGA|(
F2D2)C2|C>D F2~F2|A>Bc2f2|F2 FGA|F4||