Jenny Lind (1): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Jenny Lind (1)
|f_tune_title=Jenny Lind (1)
|f_aka=Bridal Polka (2) (The), Jenny Lind's Favorite Polka, Jenny Lind's Lieblings-Polka, Bonnie Polka (Da), Heel and Toe Polka (1), Hole in Her Stocking, Reel du Pont, Sally with the Run Down Shoes, Sal with the Run Down Shoes, Tempest (3) (The)
|f_country=England, Scotland, Ireland, Canada, United States
|f_country=England, Scotland, Ireland, Canada, United States
|f_genre=Contra, English, Irish, Morris, Scottish
|f_genre=Contra, English, Irish, Morris, Northumbrian/Borders, Scottish, Shetland/Orkney
|f_rhythm=Polka
|f_rhythm=Country Dance, Polka
|f_time_signature=2/4
|f_time_signature=2/4
|f_key=D
|f_key=D

Revision as of 06:45, 11 February 2012


Jenny Lind (1)  Click on the tune title to see or modify Jenny Lind (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Jenny Lind (1)
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 Theme code Index    3453H 52H51H
 Also known as    Bridal Polka (2) (The), Jenny Lind's Favorite Polka, Jenny Lind's Lieblings-Polka, Bonnie Polka (Da), Heel and Toe Polka (1), Hole in Her Stocking, Reel du Pont, Sally with the Run Down Shoes, Sal with the Run Down Shoes, Tempest (3) (The)
 Composer/Core Source    
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Contra, English, Irish, Morris, Northumbrian/Borders, Scottish, Shetland/Orkney
 Meter/Rhythm    Country Dance, Polka
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AA'BB'
 Editor/Compiler    Biography:James S. Kerr
 Book/Manuscript title    Book:Merry Melodies vol. 3
 Tune and/or Page number    No. 439, p. 50
 Year of publication/Date of MS    c. 1880's
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



X:1
T:Jenny Lind's Polka
M:2/4
L:1/8
K:D
A/G/|:FA/F/ GB|Af f/e/f|Ae e/d/e|Ad d/c/d/A/|
FA/F/ GB|Af f>f|ge e/c/A/c/|1 ed dA/G/:|2 ed d (3d/e/f/||
K:G
|:gg/f/ e/f/g/e/|dB B/A/G/B/|cA A/F/D/F/|AG G (3d/e/f/|
~g>f e/f/g/e/|dB B/A/G/B/|cA A/F/D/F/|1 AG G (3d/e/f/:|2 AG G||


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