Collier's Reel (The): Difference between revisions

Revision as of 17:13, 26 February 2012

Collier's Reel (The) Click on the tune title to see or modify Collier's Reel (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Collier's Reel (The) Query the Archive
Theme code Index	3355 7b1H7b4
Also known as	Seisd an Gualeoir, Cor an Gualadoir
Composer/Core Source
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Reel (single/double)
Key/Tonic of	D
Accidental	1 sharp
Mode	Mixolydian
Time signature	4/4
History
Structure	AABB
Editor/Compiler	Francis O'Neill
Book/Manuscript title	Book:Music of Ireland: 1850 Melodies
Tune and/or Page number	No. 1404, p. 261
Year of publication/Date of MS	1903
Artist	Biography:Martin Byrnes
Title of recording	Martin Byrnes
Record label/Catalogue nr.	Leader LEACD 2004
Year recorded	1969
Media
Score ()

COLLIER'S (REEL), THE ("Seisd An Gualeoir" or "Cor an Gualadoir"). Irish, Reel. D Mixolydian/Major. Standard tuning (fiddle). AB (Flaherty, Mitchell, O'Neill): AABB (Sullivan, Taylor): AABB' (Connolly & Martin): AA'BB' (Harker/Rafferty). A popular session reel. As with many Irish tunes, various versions have more or less naturalized 'c' notes. The melody was also recorded by the great County Clare/Dublin uilleann piper, pipe maker and teacher Leo Rowsome. Séamus Connolly (2002) suggests the tune may have come from "the coal mining and musical area of Arigna in County Leitrim." An alternate theory, says Connolly, is that it originated in the Tyneside, northern England, region which, in a similar manner, had mining and musical traditions. As a result of the great famine of 1845, many Irish settled in the Tyne region, joined the labor pool, and contributed their own music to the indigenous English tradition. O'Neill (1913) tells the story of 19th century piper John Morris (also known as Morris Sarsfield) of Clida, Headford, County Galway. It seems that Morris, who spent much time in England, chanced to travel to Wales to ply his art, "and got along swimmingly with the miners until asked to play 'Collier's Reel.'" Unfortunately, poor Morris could not call the tune to mind, if he knew it, and the miners, incensed that a musician would have the temerity to play before them and not know the melody called after their trade, chased him out of town for the deficiency in his repertoire.

The tune is similar to "Farewell to Connacht" and "John Bowe's (2)," and is often mistaken for "My Love is in America." See also the melodically similar 6/8 tunes "Collier's Jig," "Do You Want Anymore" and even (but more distantly) "Frieze Breeches." Lesl Harker (2005) says her source, fluter Mike Rafferty, said his version was "the old way" of playing the tune, and revealed that it was one of the first reels he learned, at the age of ten.

Sources for notated versions: Chicago police sergeant James O'Neill, a fiddler originally from County Down and Francis O'Neill's collaborator on early voluvmes [O'Neill]; flute player Sonny McDonagh (b. 1926, Rinnarogue, Bunninadden, County Sligo) [Flaherty]; piper Willie Clancy (1918-1973, Miltown Malbay, west Clare) [Mitchell]; Martin Byrne [Sullivan]; set dance music recorded at Na Píobairí Uilleann in the 1980's [Taylor]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker].

Printed sources: Connolly & Martin (Forget Me Not), 2002; pp. 18-19. Flaherty (Trip to Sligo), 1990; p. 122. Giblin (Collection of Traditional Irish Dance Music), 1928; 13. Harker (300 Tunes from Mike Rafferty), 2005; No. 128, p. 39. Mitchell (Dance Music of Willie Clancy), 1993; No. 37, p. 50. O'Neill (O'Neill's Irish Music), 1915; No. 246, p. 129. O'Neill (Krassen), 1976; p. 132. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1404, p. 261. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 646, p. 116. Peoples (Play Fifty Reels), 1986; 28. Sullivan (Session Tunes), vol. 3; No. 57, p. 23. Taylor (Music for the Sets: Yellow Book), 1995; p. 9.

Recorded sources: Green Linnett GLCD 1087, Seamus Connolly - "Notes From My Mind" (1988). Green Linnet GLCD 1127, "Martin Hayes" (1993). Larraga MOR 1302, Mike Rafferty - "Speed 78" (2004). Leader LEACD 2004, "Martin Byrnes" (1969). Shamrock 1235 (78 RPM), Michael Gallagher (uilleann pipes) {c. 1920's}. See also listings at: Alan Snyder's Cape Breton Fiddle Recording Index [1], Jane Keefer's Folk Music Index: An Index to Recorded Sources [2], Alan Ng's Irishtune.info [3].

X:1 T:Collier's Reel, The M:C| L:1/8 R:Reel S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 646 Z:AK/Fiddler's Companion K:D Mix G|(3FED FG A2 AB|cAdB cAGc|Addc d2 de|fdec dcAG|FEFG A2 AB| cAdB cAGc|Addc A2 AG|EFGE FDD||g|fdeg fdec|Addc Addg|fdeg fdec| ABcd e2 fg|agfa gfeg|fded cAGc|Addc A2 AG|EFGE FDD||

X:2
T:Collier's Reel
M:C|
L:1/8
R:reel
K:Dmix
F3G A3B|c2dB cBAG | AddA d3e| f2eg feAG|
F3G A3B|c2dB cBAG | Addd A3G| EFGE FD3:|
K:D
|: f2eg fdec | Addc Adde | f2eg fdec | A3B =c3d |
eaag efge | dfed =cAAG | Add=c ABAG | EFGE FDD2 :||

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-The tune is similar to "Farewell to Connacht" and "John Bowe's [2]," and is often mistaken for "My Love is in America." See also the melodically similar 6/8 tunes "Collier's Jig," "Do You Want Anymore" and even (but more distantly) "Frieze Breeches." Lesl Harker (2005) says her source, fluter Mike Rafferty, said his version was "the old way" of playing the tune, and revealed that it was one of the first reels he learned, at the age of ten.
+The tune is similar to "[[Farewell to Connacht]]" and "[[John Bowe's (2)]]," and is often mistaken for "[[My Love is in America]]." See also the melodically similar 6/8 tunes "[[Collier's Jig]]," "[[Do You Want Anymore]]" and even (but more distantly) "[[Frieze Breeches]]." Lesl Harker (2005) says her source, fluter Mike Rafferty, said his version was "the old way" of playing the tune, and revealed that it was one of the first reels he learned, at the age of ten.
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