Haymaker's Jig (2)
Tune annotations
X:1 % T:Hay Makers [2], The M:6/8 L:1/8 R:Jig B:McGlashan - Collection of Scots Measures (1781) Z:AK/Fiddler's Companion K:G D|G2B A/B/cA|B2G AFD|G2B A/B/cA|B/c/dB G2:| |:c|B2d g2d|e/f/ge dBG|B2d g2d|e/f/ge d2:| |:B|c2e dBG|AcA B2G|c2e dBG|A/B/cA G2:|
X:2 % T:Hay makers [2], The M:6/8 L:1/8 R:Jig B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 42, p. 15) Z:AK/Fiddler’s Companion K:G D|G2B (A/B/c)A|B2G AFD|G2B (A/B/c)A|(B/c/d)B G2:| |:G|B2d g2d|(e/f/g)e dBG|B2d g2d|(e/f/g)e d2:| |:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/cA) G2:|]
X:1 % T:Haymakers (Old English) M:6/8 L:1/8 R:Country Dance N:"Moderato" B:Thomas Wilson - A Companion to the Ball Room (London, 1816, p. 111) Z:AK/Fiddler's Companion K:G "Moderato"G2B A/B/cA |B2G AFD|G2B A/B/cA|B/c/dB G3:| |:B2d g2d|ege dBG|B2d g2d|ege d3:| |:c2e dBG|A/B/cA B2G|c2e dBG|A/B/cA G3:|]
X:2 % T:Hay Makers [2], The M:6/8 L:1/8 R:Jig S:Howe - Complete Preceptor for the Accordeon (1843) Z:AK/Fiddler's Companion K:C G | cde def | edc dBG | cde def | ege c2 :| |: e2g c'2g | ac'a gec | e2g c'2g | ac'a g3 :| |: e2a gec | ded gec | e2a gec | ded c3 :||
X:1 % T:Hay Makers [2] M:6/8 L:1/8 S:Anonymous 1862 American music manuscript collection (p. 7) N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up Z:AK/Fiddler’s Companion K:G D|GAB ABc|BAG AFD|GAB ABc|BdB G2:| |:B2d g2d|ege dBG|B2d g2d|ege d2z:| |:B2e dBG|ABA dBA|B2e dBG|ABA G2z:|]
X:1 T:Haymakers’, The T:Haymaker's Jig (2) M:2/4 L:1/8 N:Frank Kidson notes that the tune occurs in a N:Pantomime called Fortunatus written in 1753 by N:James Oswald, a Scottish musician, who settled in N:London in 1741 and became “Chamber Composer to His N:Majesty George III.” R:Country Dance Tune B:Moffat - Dances of the Olden Time (1922, p. 17) Z:AK/Fiddler's Companion K:G G>BA>c|B>G (3AFD|G>BA>c|(3BdB G2:| |:B>dg>d|(3efg (3dBG|B>dg>d|e2d2:| |:c>e (3dBG|(3AGA B>G|c>e (3dBG|(3ABA G2:|]