Annotation:Road to the Isles

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ROAD TO THE ISLES. AKA and see “Bens of Jura,” "Burning Sands of Egypt (The)." Scottish, Canadian, American; (Pipe) March (duple time): Ireland, Barndance. USA; Michigan, southwestern Pa. D Major. Standard tuning (fiddle). AB. The tune was composed originally under the title "The Burning Sands of Egypt" by John McLellan, D.C.M., a poet and painter from Dunoon, Scotland, who was Pipe-Major of the 8th Battalion, Argyl and Sutherland Highlanders during World War I. The title "Road to the Isles" is the name of a poem set to McLellan's tune by Kenneth Macleod, "Written for the lads in in France during the Great War." It was first published in Songs of the Hebrides (1917). The tune was also known as “Bens of Jura” (ben being the Gaelic word for mountain). Cape Breton piper Barry Shears insists the original name of the tune was the "Bens of Jura," and was composed in 1895 when Maclellan was visiting his mother, nee Darroch, and originally from Jura. The song begins:

A far croonin' is pullin' me away
As take I wi' my cromach to the road.
The far Cuillins are puttin' love on me
As step I wi' the sunlight for my load.

Chorus:
Sure by Tummel and Loch Rannoch and Lochaber I will go
By heather tracks wi' heaven in their wiles.
If it's thinkin' in your inner heart the braggart's in my step
You've never smelled the tangle o' the Isles.
Oh the far Cuillins are puttin' love on me
As step I wi' my cromach to the Isles.

The song was recorded on 78 RPM in 1926 by music hall star Sir Harry Lauder [1]. Paul Gifford reports that William McNally (1870-1954), a well-known dulcimer player from Glasgow, claimed to have popularized that tune (and also "Skye Boat Song") and that he recorded the tune for Regal-Zonophone about 1932, but Lauder's popular recording certainly predates McNally's. The illiterate son of Irish circus people, McNally had learned the dulcimer from his mother and entertained for many years on excursion boats out of Oban in the Hebrides. "Road to the Isles" is said to have been played by piper Bill Millin on the first day of the Normandy landings on D-Day, 1944. Accordion player Jim Coogan remembered learning the tune from Irish musicians in New York in the 1950’s as an accompaniment for a dance called the "Pally Glide," reminiscent of the popular Irish dance “Shoe the Donkey.”

Additional notes

Source for notated version: - Hiram Horner (fifer form Westmoreland and Fayette Counties, Pa.; learned from Michigan musicians at Philippi, W.Va.) [Bayard].

Printed sources : - Bayard (Dance to the Fiddle), 1981; No. 346, p. 334.

Recorded sources: - Arc: AS 794, Harry Hibbs – “Harry Hibbs at the Caribou Club” (1969?). Glenfinnan Music, Ltd.: GRCD112, Alex Beaton – “The Road to the Isles” (1990). MCA Cora: CB-35013, Don Messer – “TV Favorites.” MCA Records MCAD 4037, “The Very Best of Don Messer” (1994). Paragon: ALS 211, Gerry Reeves – “Down East Accordion.” “Tom Doherty – “Take the Bull by the Horns.” RCA Camden: CAS 2274, Al Cherny – “Golden Slippers” (1968). Mary Custy & Eoin O’Neill – “With a Lot of Help from Their Friends.”

See also listing at:
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2]
Alan Ng's Irishtune.info [3]
Alan Snyder's Cape Breton Fiddle Recordings Index [4]