Miss Lucia Campbell's Strathspey Click on the tune title to see or modify Miss Lucia Campbell's Strathspey's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Miss Lucia Campbell's Strathspey Query the Archive
Theme code Index	5555 5562
Also known as	Ball na Grandach, Lucy Campbell (3), Miss Lucia Campbell's Delight, Miss Lucy Campbell's Delight, Countess of Loudon's Strathspey (2), Miss Louisa Campbell's Strathspey
Composer/Core Source
Region	Scotland
Genre/Style	Scottish
Meter/Rhythm	Strathspey
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	4/4
History
Structure	AABBCCDDEEFF
Editor/Compiler	Joshua Campbell
Book/Manuscript title	Book:A Collection of New Reels & Highland Strathspeys &c.
Tune and/or Page number	p. 7
Year of publication/Date of MS	1789
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Tune annotations

X:1
T:Miss Louisa Campbell's Strathspey
M:C
L:1/8
R:Strathspey
B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 7)
Z:AK/Fiddler’s Companion
K:D
B|(A<D)(A<F) (A<D)(B<F)|(A<D)(A<F) (B<E)(EF)|(A<D)(A<F) d>ef>e|
d>B A/B/d/F/ ADD::f|d>BAF d>ef>e|d>BA>F eEEe|
d>BA>F d>ef>e|d>B d/B/A/F/ ADD::B|AD (A/G/F) AD (A/G/F)|
AD (A/G/F) BEEF|1 AD (A/G/F) d>ef>e|d>B A/B/d/F/ ADD:|
|2 (A/D/E/F/) (G/A/B/c/) (d/e/f/g/) (a/g/f/e/)|(f/e/d/c/) (d/B/A/F/) ADD||
|:f|(d>f)(A>f) (d>f)(A>f)|(d>f)(A>f) eEE(e|1 d>f)A>c d>ef>e|
d>B A/B/d/F/ ADD:|2 (d/f/e/f/) (A/f/e/f/) (d/e/f/g/) (a/g/f/e/)|(f/e/d/c/) (d/B/A/F/) ADD||
|:A|A,>C T(FE/D/) AD T(FE/D/)|A,>D T(FE/D/) (AE)EF|1 A,>D T(FE/D/) AD (FE/D/)|
d>B A/B/d/F/ ADD:|2 (A,/B,/C/D/) (E/F/G/A/) (B/c/d/e/) (f/d/c/B/)|(A/d/c/d/) (B/A/d/F/) ADD||
|:(f|a>b)af d>efd|e>fd>f eEEf|1 a>b a/b/a/f/ d>ef>e|d>B A/B/d/F/ ADD:|
|2 (a/b/a/g/) (f/g/a/f/) (e/g/f/g/) (f/e/d/c/)|(d/e/f/e/) (d/B/A/F/) ADD||

X:1
T:Miss Lucia Campbell's Strathspey.
R:strathspey
M:C
L:1/8
B:Complete Tutor Violin  (c. 1815)
Z:Dr. Evan Jones, 2005
K:D
N:1st full bar after first repeat, replaced third note which was written as a quaver
(B | A)<DA>F  A<DA>F | A<DA>F BE-E>F | A<DA>F Td>ef>e | d>B A/B/d/F/ ADD :||:
f | d>BA<F Td>ef>e | d>BA<F eEE>e | d>BA<F Td>ef>e | d>B A/B/d/F/ AD D :||:
B | AD (A/G/F) AD (A/G/F) | AD (A/G/F) BETE>F | AD (A/G/F) Td>ef>e | d>B A/B/d/F/ AD D :||:
f | d>fA>f d>fA>f | d>fA>f eEE>e | d>fA>f Td>ef>e | d>B A/B/d/F/ AD D :||:
F | A,>D (F/E/D) A>D (F/E/D) | A,>D (F/E/D) BE-E>F | A,>D (F/E/D) A>D (F/E/D) | d>B A/B/d/F/ AD D :||:
f/g/ | (a>ba>f) ~d>ef>d | e<fd>f eE-E>e | ~a>b a/b/a/f/ Td>ef>e | d>B A/B/d/F/ AD D :|]

X:2
T:Miss Lucy Campbell's Strathspey
M:C
L:1/8
R:Strathpsey
B:Ross's Collection (1885, No. 313)
Z:AK/Fiddler's Companion
K:Amix
f|e<Ae<c e<Ae<c|e<Ae>c f<BB>f|e<Ae>d e>fg>e|ag/f/ e>c eA A:|
|:e|a>fe>c e>fg>e|a>fe>c f>BB>e|a>fe>c e>fg>e|ag/f/ e>c eA A:|
|:e|A>Bc>A e>Ac>A|A>Bc>A f>BB>e|A>Bc>A e>Ac>A|ag/f/ e>c eA A:|
|:a|e<ac/<c/a e<ac/<ca|e<ac/>c/a f>BB>a|e<ac/<c/a e>fg>e|ag/f/ e>c eA A:|]

Tune annotations