Wounded Hussar (The)

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 Theme code Index    5L11 321
 Also known as    Captain O'Kane
 Composer/Core Source    
 Region    England, Ireland, Scotland
 Genre/Style    English, Irish, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    A
 Accidental    NONE
 Mode    Aeolian (minor)
 Time signature    3/4
 History    
 Structure    AAB, AABB
 Editor/Compiler    
 Book/Manuscript title    
 Tune and/or Page number    
 Year of publication/Date of MS    
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Wounded Hussar (The): annotations


X:1
T:Wounded Hussar,The. RH.036
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/16
Q:3/8=60
K:Bm
BA|”_sic”G2B2c2 d4cB|cdedcB A2B2c2|\
d2f2d2 fedcBA|F2B2B2 B4BA|!
F2B2c2 d4cB|cdedcB A2B2c2|\
a3^gf2 e2c2A2|F2B2B2 B4:|!
|:Bc|d2f2f2 f4ed|c2e2e2 e4g2|\
f2b2a2 b2c'2d'2|f2b2^a2 b4bc'|!
d'2c'2b2 a2g2f2|{f}e2dca2 A2B2c2|\
d2f2d2 fedcBA|F2B2B2 B4:|
X: 1
C:Page 31
T:Wounded Hussar. MBe.60
S:Matthew Betham MS, Towcett Cumbria, 1815
O:England;Cumbria;Towcett
Z:VMP – Hugh Taylor, 2012
M:C
L:1/8
Q:3/4=30
R:.Air
N:NB-These 3 notes were written as a quaver and 2 semiquavers, but I’ve made them the same as the 5th bar.
K:Am
A/G/|”^NB”EAB c2 B/A/|B/c/d/c/B/A/ GAB|cec e/d/c/B/A/G/|EAA A2 A/G/|
EAB c2 B/A/|B/c/d/c/B/A/ GAB|g>^fe dBA|EAA A2:|
|:A/B/|cee e2 d/c/|Bdd d2 g/f/|e>ag !fermata!a2 b/c'/|eag a2 a/b/|
c'ba gfe|e/d/c/B/g GGB/B/|cec e/d/c/B/A/G/|EAA A2:|
X:1
T:Wounded Hussar,The. CJF.131
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:1/4=60
K:G
(A/G/)|EABc2(B/A/)|(B/c/d/c/B/A/) GAB|\
cec (e/d/)(c/B/)(A/G/)|FAAA2:|!
|:(A/B/)|ceee2d/c/|Bddd2g/f/|ea^g g>bc'|ea^ga2(a/b/)|!
c'ba geg|dBg GAB|cec (e/d/)(c/B/)(A/G/)|FAAA2:|
X:1
T:Wounded Huzzar,The. JC.248
R:Air
S:John Clare,Poet,Helpstone (1793-1864)
O:England
A:Northamptonshire
Z:vmp.Phil Headford
M:3/4
L:1/8
Q:1/4=120
K:G
ED|\
C2E2F2|G4FE|FGAGFE|^D2E2F2|!
G2B2B2|BAGFED|C2E2E2|E4:|!
|:EF|G2B2B2|B4AG|F2A2A2|A4GF|!
E2e2^d2|^e2f2g2|B2gfe^d|e4ef|!
g2f2e2|d2B2{f}g2|GBAGFE|D2E2F2|!
G2BGBd|BAGFED|C2E2E2|E4:|
W:Tunes from here on are as loose paper inserts into MS book.
X:1
T:Wounded Hussar,The. WI.008
M:3/4
L:1/8
Q:1/4=100
B:Wm Irwin, 1838 MS, AGG's Transcription
R:.Air
O:England
A:Lake District
Z:vmp.Chris Partington.2005
F:http://www.cpartington.plus.com/Links/Irwin/IRWIN(12-4-16).ABC
K:Am
AG|E2A2B2|c4BA|BcdcBA|G2A2B2|\
c2e2gf|edcBAG|E2A2A2|A4:|
AB|c2e2e2|e4dc|B2d2d2|d4cB|\
A2a2b2|c'2b2a2|e2a2g2|a4ab|
c'2b2a2|g2e2c2|BdfcBA|G2A2B2|\
c2e2gf|edcBAG|E2A2A2|A4|]
X:1
T:Wounded Hussar. Le4.013, The
B:L.Leadley MS#4 c1850
Z:Village Music Project, 2016 Steve Mansfield
M:6/8
L:1/8
Q:3/8=70
K:Am
AGF AAB | cBA Bcd | cBA GAB | ceg edc |
BAG EAA | A2 :: ABA eee | dcB ddd |
cBA aga | bc'g aga | abc' bag | ege dBg |
GAB ceg | e/d/c/ B/A/G/ EAA | A2 :|
X:1
T:Wounded Hussar, The
M:3/4
L:1/8
R:Air
S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 77)
F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=80&z=764.114%2C903.623%2C7374.2874%2C4466.6667
Z:AK/Fiddler's Companion
K:G
GF|D2 G2 GA|B2A2G2|ABcB AG|F2G2A2|f2 defd|
(dc)(BA) GF|D2G2 GA|G4::GA|B2d2 ded|d2c2B2|
A2B2 cd|c2B2A2|G2 g2 gf|g2a2b2|d2g2 ga|
g4 ga|b2a2g2|fe(de)(fe)|(dc)(BA)(GA)|
F2G2A2|fedefd|dcBAGF|D2G2 GA|G4:|]
X:1
T:Wounded Hussar, The
M:3/4
L:1/8
R:Air
Q:"Slow" 
N:"Old Air.” 
S:Skinner – Harp and Claymore (1904)
Z:AK/Fiddler’s Companion
K:Emin
E>D | B,2 E2F2 | G4 FE | FGAGFE | D2E2F2 | G2B2d2 | 
BAGFED | B,2 E2D2 | E4 :|EF | G2B2B2 | 
B4A2 | F2A2A2 | A4 GF | E2e2d2 | e2f2g2 | 
B2e2d2 | e4 ef | g2f2e2 | d2c2B2 | A2d2F2 | 
D2E2F2 | G2B2d2 | BAGFED | B,2E2D2 | E4 || 

Wounded Hussar (The): annotations