Annotation:Would You have a Young Virgin
X:1 T: Would You Have a Young Virgin T:Poor Robin's Maggot M:6/8 L:1/8 R:Country Dance B: Young – Second Volume of the Dancing Master, 1st edition (1710, p. 148) K:F A/B/|cdc cdc|f2c c2 A/B/|cdc cdc|g2c c2A/B/| cdc cdc|f2c g2c|agf cfe|f2F F2:| |:f/g/|agf agf|g2c c2f/g/|agf agf|b2g g2 f/g/| agf agf|agf bag|agf ede|f2F F2:|]
WOULD YOU HAVE A YOUNG VIRGIN (OF FIFTEEN YEARS). AKA and see “Native (La),” "Poor Robin's Maggot,” “Saw Ye a Lassie of Fifteen." English, Air (6/4 time), Country Dance and Quadrille part (6/8 time). D Major. Standard tuning (fiddle). AABB. “Would you have a young virgin of fifteen years” is the title Thomas D’Urfy used for his song set to the melody in his play The Modern Prophets (1709), although he also published it in his Pills to Purge Melancholy, vol. 1 (1719, p. 132). The tune was said to have been an old one at the time, from the time of the reign of Charles II (1660-1685), with an earlier name being “Poor Robin's Maggot.” It was published by John Gay in his Beggar's Opera (1729), where it appears as the vehicle for the song "If the heart of a man is deprest with cares," the first line, and was also employed for songs in the ballad operas Livery Rake and Country Lass (London, 1733) and The Female Rake (London, 1736).
Would ye have a young virgin of fifteen years,
You must tickle her fancy with sweats and dears,
Ever toying, and playing, and sweetly, sweetly,
Sing her a love sonnet and charm her ears,
Wittily, prettily, talk her down,
Chase her, praise her, if fair or browns,
Sooth her and smooth her,
And tease her and please her,
And touch but her smicket, and all’s your own. (smicket=a woman’s undergarment)
In addition to the ballad operas, the tune was used for dancing and appears in John Young’s editions of Playford’s Second Volume of the Dancing Master (four editions, 1710-1728) as “Would You Court a Young Virgin: or, Poor Robin’s Maggot” (a maggot was a trifle, or plaything, whim, or fancy; from the Italian maggioletta). In 1719 it appeared in John Walsh’s Compleat Country Dancing Master, vol. 2 (London, p. 167), and John and William Neal printed it in Dublin c. 1726 in A Choice Collection of Country Dances, with their Proper Tunes (p. 14).
In the 19th century new life was breathed into the melody when it was incorporated into the stylish and popular “Lancer’s Quadrilles” as the third (jig) movement, entitled “La Native.” Subsequently, “Wou’d you have a young virgin” was entered into in several 19th century musicians’ manuscript collections as a quadrille figure, including the music manuscripts of the Thomas Hardy family (Dorset), the copybook of Thomas Hammersley (London, 1790), and two untitled manuscripts from the mid-19th century. See also the Irish dance derivative, in the form of a slide, under the title “I'd rather be married than left.” T. Westrop included it in his 120 Country Dances, Jigs, Reels, Hornpipes, Spanish Waltz, etc. for the Pianoforte (London, No. 30), although under the title “If the Heart of a Man” (i.e. the Beggar’s Opera song title).