Annotation:Mhàiri bhàn òg (1) (A)
X:1 T:Mary Young and Fair T:Mairi bhàn òg, A M:6/8 L:1/8 R:Slow Air S:Simon Fraser Collection (1816) Z:AK/Fiddler's Companion K:Amin E|A>BA c2d|e2c dcB|e2A A>BA|^G3 z2E| A>BA c2d|e2c deg|e2c dcB|A3 z2:|| eg|a>ba g2f|e2c deg|e2A A>BA|^G3 z2E| A>BA c2d|e2c agf|e2c dcB|A3 z2e/g/| a>ba g2f|e2c deg|e2A A>BA|^G3 z2E| c>Bc d>^cd|e>^de c'2 b/a/|e2c d>cB|A3 z3||
MHÀIRI BHÀN ÒG [1], A ("Fair Young Mary" or "Mary Young and Fair"). AKA - "Mary Young and Fair." Scottish, Slow Air (6/8 time). A Minor. Standard tuning (fiddle). AAB. The tune is the opening to a once well-known Gaelic love song written by the celebrated poet Duncan Ban MacIntyre (b. Glenorchy, Argyllshire, 1724) in honor of his wife. The air is traditional, one of the many variants of "Gilderoy (1)," but (according to Simon Fraser) words were written by MacIntyre. MacIntyre was "a Breadalbane man, who published a volume of Gaelic songs; the air was previously known, as sung by the gentlemen alluded to in the prospectus" (Fraser). John Purser says the air is one of the most famous of all Scottish Gaelic love-songs (adding that in addition to her youth and pulchritude, Mary brought talents as a fine whiskey distiller to the union). Emmerson (1971) says this "well-known and beautiful air" has the character of the ancient 'ports' of the harper's repertoire. Martin (2002) says the tune is popular both as a fiddle and pipe solo, and that many versions exist, including one in the Patrick McDonald Collection (1784). There is also a version in Alexander Campbell's Albyn's Anthology, vol. 2 (1816).
