Jenny Nettles (1)

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Theme code Index	3b211H 57b47bL
Also known as	Janny Nettles, Jenny Nettle, Johnnie Nittle, Jenny Pawned her Bonnet, Jenny Pippen, Jenny Tie Your Cravat, Tailor's Daughter
Composer/Core Source
Region	England, Scotland
Genre/Style	Northumbrian/Borders, Scottish, Shetland/Orkney
Meter/Rhythm	Country Dance, Reel (single/double)
Key/Tonic of	A
Accidental	1 sharp
Mode	Dorian
Time signature	2/2
History	SCOTLAND(Shetland/Orkney), ENGLAND(North East)
Structure	AAB, AABB, AABC, AABBCC, AABBC, AABBCC
Editor/Compiler	Robert Bremner
Book/Manuscript title	Book:Scots Reels
Tune and/or Page number	p. 80
Year of publication/Date of MS	1757
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score (1)

Jenny Nettles (1): Annotations

X:2 T:Jenny Nettles [1] M:C| L:1/8 R:Reel B:Gow - 3rd Collection of Niel Gow's Reels, 3rd ed., p. 16 (orig. 1792) Z:AK/Fiddler's Companion K:Amin A/B/|{A/B/}c2 .B2.A2.a2|(e^f)ge dBGB|{A/B/}.c2.B2.A2.a2|ge^fd e2A:||B| Tc>deA Tc>deA|d/c/B/A/ Gd BGdB|c>deA cdea|ge^fd e2 AB| Tc>deA Tc>dec|BAGd BGdB|Tc>deA c>dec|BcdB {B}e2A||B| Tc>de^f g>age|gaTge d/c/B/A/ GB|Tc>de^f gage|aba^g Ta2 AB| cde^f gage|gage {d}cB/A/ GB|cde^f gagf|ea^gb a2A|]

X:1 T:Janny Nettles [1] M:C L:1/8 R:Reel B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 41) N:Dedicated to the Dutchess [sic] of Manchester N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and N:composer active in Edinburgh at the end of the 18th century. Originally from N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade N:of his life. Z:AK/Fiddler’s Companion K:Amin {AB}c2B2A2a2|e^fge dgBG|cdBc A/A/A a2|gedg e2 AB:| |:(cde)A cdec|BGdB BcdB|(cde)A cdea|gfdg e2 AB:| |:cdef gage|gage dgBG|cdef gage|aba^g a2 (AB):|]

X:16 C:Page 08 T:Jenny Nettles. MBe.16 A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 M:C| L:1/8 Q:1/2=100 R: N:A widespread tune. See versions in both Jackson, H.S.J (Winder) and Harrison collections. N:NB1-Lots of splodges makes this first bar difficult to decipher. Notes given are as commonly played, and N:fit in with bar 3. N:NB2-This bar is as written making an odd length bar. The B section has only 3 bars. I'm leaving it to the N:player to decide on a satisfying correction. K:Am "^NB1"c2 B2 A2 a2|efge dBGB|c2 B2 A2 a2|gedf e2 A2:| |:cded cded|dBGB dBGB|"^NB2"a2 fedf e2 A2:|

X:1 T:Jennie Nettle [1] M:C L:1/8 R:Reel S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 156) Z:AK/Fiddler’s Companion K:G B|c2 Bc A2a2|efge dBGB|(3cdc (3BcB A2a2|gefd e2 A:| |:B|cdec BcdB|d/c/B/A/ Gd BGdB|cdec Bcda|gegd e2A:| |:B|cdef gage|gage d/c/B/A/ GB|cdef gage|dBgB A>dG>B:||

X:1 T:Jenny Nettles M:C L:1/8 R:Reel B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 112) Z:AK/Fiddler’s Companion K:C A/B/|{AB}c2B2A2a2|e^fge dBGB|{AB}c2B2A2a2|ge^fd e2A:| B|c>deA c>deA|d/c/B/A/ Gd BGdB|c>deA cdea|ge^fd e2 AB| c>deA c>deA|BAGd BGdB|c>deA c>deA|BcdB {B}e2A|| B|c>de^f g>age|gage d/c/B/A/ GB|c>de^f eage|aba^g a2 AB| c>de^f gage|gage {d}cB/A/ GB|cde^f gagf|ea^gb a2A|]

X:1 T:Jenny Nettle [1] Reel M:2/4 L:1/8 R:Reel B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 634) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:G e/4d/4|cB/c/ Aa/f/|g/e/d/c/ B/G/G/B/|c/d/B/c/ Aa/f/|1g/e/d/B/ e/A/A/:|2 g/e/d/B/ e/A/A/B/|| |:Ae/A/ c/d/e/c/|B/g/d/c/ B/A/G/B/|Ae/A/ c/d/e/a/|1 g/e/d/B/ e/G/A/B/:|2 g/e/d/B/ e|]

Jenny Nettles (1): Annotations