Ballinderry

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 Theme code Index    35 45 53 43
 Also known as    Ballindary and Cronán
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    B
 Accidental    2 flats
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AB
 Editor/Compiler    Biography:O'Sullivan/Bunting
 Book/Manuscript title    
 Tune and/or Page number    No. 56, pp. 86-87.
 Year of publication/Date of MS    1983
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


<abc float="left"> X:1 T:Ballinderry M:6/8 L:1/8 R:Air K:Bb B|d<de f2f|e2f d>dB|d>de f2f|e2f d2f|f<dB B2B| ede f2g|f<(dd)B<dc|B2B B2||B|d3 c3|B2B3| d3c3|B3B3|d3c3|B3B3|d3c3|(B3 B2)|| </abc>



















BALLINDERRY (AND CRONÁN). Irish, Air (6/8 time). B Flat Major (O'Sullivan/Bunting): G Major (Heymann). Standard tuning. AB. A cronán is a chorus, the 'B' part of the melody. Ballinderry, O'Sullivan (1983) remarks, is on the edge of a small lake close to Lough Neagh, the largest lake in Ireland, and Bunting states the words to the tune refer to locations within the region. The tune also appears in Clairseach na nGaedheal, part III, 1903. The air is really a simple folk air with a second part attached (which Bunting termed the "cronan"); this second part is somewhat curious and was explained by Professor Eugene O'Curry in 1862. Curry identified the crónán as "the low murmuring accompaniment or chorus, in which the crowd took part at the end of each verse," and that the sound was produced in the throat "like the purring of a cat" (quoted in Heymann, 1988). George Petrie, writing in Bunting's 1840 volume, states that the peasantry of Counties Down and Antrim sang "many rude and ludicrous verses" to the air, one of which goes:

Its purty to be in Ballinderry,
Its purty to be in Aghalee
Its purty to be in George's Island
Sitting under an Ivy tree

Source for notated version: air and words were noted by the Irish collector Edward Bunting form Dr. Crawford of Lisburn in 1808.

Printed sources: Heymann (Secrets of the Gaelic Harp), 1966; pgs. 75, 77 & 78. O'Sullivan/Bunting, 1983; No. 56, pgs. 86-87.

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