Croppies Lie Down

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Croppies Lie Down  Click on the tune title to see or modify Croppies Lie Down's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Croppies Lie Down
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 Theme code Index    5122 1H51H1
 Also known as    
 Composer/Core Source    
 Region    
 Genre/Style    
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABB
 Editor/Compiler    Biography:William Bradbury Ryan
 Book/Manuscript title    Book:Ryan's Mammoth Collection
 Tune and/or Page number    p. 110
 Year of publication/Date of MS    1883
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


CROPPIES, LIE DOWN. Irish (?), Scottish (?); Jig. G Major. Standard tuning (fiddle). AABB. The tune title is the title of a sectarian Protestant song--'croppy' was a derogatory term for an agricultural labourer, usually a Catholic individual. The title comes from an inflamatory jibe, and as such it hardly appears in most Irish collections.

O'Neill (1913) tells of one Jemmy Byrne the Piper who lived in County Wexford in the early 19th century. Jemmy acquired the nickname 'Scut' at some point in his career, although it is not known exactly how. One story is that he "demeaned himself and insulted the sentiment of his people by playing party tunes, such as 'Croppies Lie Down,' at the orgies of the yeomen subsequent to the Rebellion of '98" (O'Neill generously remarks it would have been hard to refuse such a request, given the atmosphere of intimidation and repression at such events). Another possibility for Jemmy's sobriquet is that it was conferred by a particularly abstemious County Carlow priest who was determined to stamp out crossroads dancing in his parish. The outraged cleric is said to have declared to his congregation regarding Jemmy: "How dare this 'Scut' come into my parish with his bagpipes to corrupt and demoralize my flock in defiance of my expressed wish?" O'Neill points out he must have gained some fame despite his nickname and the exhortations of the priest, for the piper's name was remembered while the priest's was forgotten.

Printed sources: Cole (1000 Fiddle Tunes), 1940; p. 77. Kennedy (Jigs & Quicksteps, Trips & Humours), 1997; No. 24, p. 8. Ryan's Mammoth Collection, 1883; p. 110.


X:1
T:Croppies, Lie Down
M:6/8
L:1/8
R:Jig
S:Ryan's Mammoth Collection (1883)
Z:AK/Fiddler's Companion
K:G
g/e/ | dBG GFG | ABA ABd | (g2.e) dBd | gGG Gge | dBG GFG | 
ABA ABd | (g2.e) dBD |1 gGG G :|2 gGG G3 |: def gfg | efg agf | 
gab efg | dBG (B2A) | G2z e2z | dBd GBd | g2z e2z |1 dBg G3 :|2 dBg G || 


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