Johnny Cope (1)

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 Theme code Index    1113b 5117bL
 Also known as    Seanin Ua Copa, Fye to the Coals in the Morning, General Coope, Hey Johnny Cope
 Composer/Core Source    
 Region    Scotland, Canada, United States
 Genre/Style    Cape Breton/PEI, Contra, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Hornpipe/Clog, March/Marche, Polka, Reel (single/double)
 Key/Tonic of    A
 Accidental    1 sharp
 Mode    Dorian
 Time signature    4/4, 2/4
 History    CANADA(Maritimes/English)
 Structure    AB, AABB, AABBCCDD, AABB'CCDDEEFFAABB'
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 2
 Tune and/or Page number    No. 52, p. 19
 Year of publication/Date of MS    1785
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



X:1
T:Johnny Cope [1]
Z:transcribed by Henrik Norbeck
M:2/4
L:1/8
K:Am
E | A>A cd | eA AA | G>G GB | dd BG |
cc dd | eg BB/B/ | Ae/e/ dB/B/ | A2 A:|
|: z | cc/c/ cc/c/ | ce g>c | Bc d>d | Bc d>d |
cc dd | eg B>B | Ae/e/ dB/B/ | A2 A:|]
X:2
T:Johnny Cope [1]
M:C
L:1/8
S:Aird, vol. II (1785)
Z:AK/Fiddler's Companion
K:Amin
E2 | A4 ABcd | e2 A2 A2 GE | G4 GABc | d2G2 BAGE | 
A4 ABcd | E2A2 BAGE | G2 g2 edcB | A4 A2 :|
|: AB | c3d c2G2 | (cd)(ef) g4 |B2G2d2G2 | Bcde {e}d2 cB | 
cBcd efga | gedc B2 AB | G2 g2 edcB | A4 A2 :|
|: eg | a4 a2 (ga) | b2a2 a2 ge | dega g3a | b2ab g2eg | 
a4 a2ga | b2a4 ge | g2d2 edcB | A4 A2 :|
|: E2 | AGAB cBcd | e2A2 BAGE | GFGA B2 ge | dedc B2 AG | 
cBcd efga | gedc B2 AB | G2g2 edcB | A4 A2 :|]
X:3
T:Johnny Cope [1]
M:4/4
L:1/8
S:Doug MacPhee, piano
R:march
N:play slowly
B:Cape Breton's Magazine no. 43 (1980s)
Z:Paul S. Cranford
K:Ador
A4 A2 Bd|e2 eg B2 AB|G4 G2 Bc|d2 g2 B2 AG|
c2 cc d2 dd|e2 (3efg B2 AG|1AB g2 e2 dB|A4 A2 GE:|2 A2 eg e2 dB|A4 A2||
eg|a4 a2 ga|b2 a2 a2 ge|g2 d2 g2 dg|b2 a2 a2 ge|
a4 a2 ga|b2 gb a2 ge|d2 Bd e2 gB|A4 A2:||
G2|E<AAB ABcd|edcB A2 Ac|B2 AB GABc|
dcBA G2 (3GAB|c2 cc d2 (3ddd|e2 g2 B2 AG|
1A<Be<g e2 dB|A4 A2:|2 AAA<g e2 dB|A4 A2||
eg|aga<b agab|c'bag a2 ef|gdg<b gdg<b|dgbg a2 eg|
aga<b agab|c'bag a2 ge|d2 Bd e2 gB|A4 A2:||
AB|cGE<G c>Bc<d|e<cgc B2 AB|GEG>E GABc|
dcBA G2 AB|cGE<G cBcd|e<cgc B2 AG|AB g2 e2 dB|A4 A2:||
F2|EA,>CA, EA,A>A,|E<A,CA EA,A>A,|D<G,B,G, DG,GG,|
D<G,B,A, G,B,AG|E<A,CA, EA,AF|E<A,CA, EA,A>E|FDFe d<BgB|A4 A2:||
AB|cBcd edc<e|gfg<a gedc|B<GdG B<GdG|cdef gfed|
c<Gcd edce|gfga gedc|1B<Gd>G edBG|A4 A2:|2 Bdgd edBG|A4 A2||
X:4
T:Johnny Cope
M:C
L:1/8
Q:288
S:San Francisco Scottish Fiddlers Newsletter June 1997
N:From the playing of Buddy MacMaster
A:Cape Breton
Z:Steve Wyrick 10-22-01
K:Ador
AG|:"Am"{E}A4AB cd|e2A2{A}BA GE|"G"{E}G4GA Bc|{c}d2G2BA GE|!
"Am"{E}A4AB cd|{d}e2A2{A}B2AB|"G"G2gf ed cB|1"Am"A4A3G:|2"Am"A4A2B2||!
P:Var. I
|:"C"c3dc2C2|cd efg4|"G"B2AGG2d2|Bc dcB2AG|"Am"A2c2"G"B2d2|!
"Am"c2e2"G"B2AG|"Em"E2gf ed cB|1"Am"A2-A3A AB:|2"Am"A4Ad^cB||!
P:Var. II
"Am"A2E2AB cd|"C"ed cB "G"dc BA|G2D2GA Bc|dB gd cB AG|"A"A2GF "E"ED^CB,|"A"A,B, ^CDE2DC|!
"D"D2F2"E"ED ^CB,|"A"A,4A,d ^cB|"Am"A2E2AB cd|ed cB "G"dc BA|"G"G2D2GA Bc|!
"G"dB gd cB AG|"A"{G}A2GF "E"ED ^CB,|"A"A,B, ^CDE2DC|"D"D2F2"E"ED^CB,|"A"{B,}A,4A2z2||!
P:Var. III
|:"Am"a4a2ga|{a}b2a2{a}ba ge|"G"{e}g4g2ga|{a}b2agg2b2|"Am"a4a2ga|!
"G"{a}b2g2"A"a2e2|1"D"f2df "E"ed ^cB|"A"{D}A4A4:|2"D"F2DF "E"ED^CB,|"A"A,4A,d ^cB||!
P:Var. IV
|:"Am"AE AB A Bcd|"C"ef ed cB Ac|"G"BG dG eG dG|"G"Bd gd cB AG|"Am"cd cB AGAB|!
"Am"AB cd ed eB|df ga "Em"ge dB|1"Am"A4Ae^cB:|2"Am"A4A2e2||
P: Var. V
"A"a3/2e/2 a/2^c'3/2 a3/2e/2 a/2c'3/2|"A"E3/2A/2 ^c3/2a/2 ^c'3/2a/2
e3/2f/2|"G"g3/2d/2 g/2b3/2 g3/2d/2g/2b3/2|"G"D3/2G/2 B3/2g/2 b3/2d/2 g3/2B/2|!
"C"e3/2c/2 e/2g3/2 "G"d3/2B/2 d/2g3/2|"Am"c3/2A/2 c/2g3/2 "G"d3/2B/2
d/2g3/2|"C"e3/2c/2 "G"d3/2B/2 "Am"c3/2A/2 "Em"B3/2G/2|"Am"{G}A4A2e2:||
X:1
T:Johnny Cope -- Variations
M:C|
L:1/8
N:Arranged by W.B. Laybourn
B: Köhlers’ Violin Repository Book 1 (1881, p. 57)
Z:AK/Fiddler’s Companion
K:Gmin
G2 (G/A/B/c/) .c.G A/(G/F/D/)|F2 (F/G/A/B/) cF A/(G/F/D/)|G2 G/A/B/c/ dG B/A/G/F/|
Df d/c/B/A/ G2G,2::B2 BB, B/c/d/e/ f2|B/A/G/F/ Fc A/B/c/d/ B/A/G/F/|
GB Ac Bd B/A/G/F/|Df d/c/B/A/ G2G,2::GG, G/A/B/c/ d/c/B/A/ B/G/F/D/|
FC F/G/A/f/ c/A/f/c/ B/A/G/F/|GF/E/ D/C/B,/A,/ G,/A,/B,/C/ E/D/C/B,/|C/D/E/G/ F/D/F/A,/ G,2G,2:|
|:g2 gf/g/ ag a/g/f/d/|f2 f{b/f/e/f/}>g {f/g/}ag/f/ fa|g2 g{a/g/}f/g/ afgd|fc d/c/B/A/ G2G,2:|
|:G/^F/G/A/ G/A/B/c/ d/e/d/c/ B/A/B/G/|A/F/c/F/ d/F/c/F/ A/c/f/c/ B/A/G/F/|B/c/B/A/ G/^F/G/D/ G/A/B/c/ d/c/d/B/|
c/d/f/g/ f/d/c/A/ G2G,2|
g/d/g/b/ g/d/g/b/ G/B/d/g/ b/g/d/B/|f/c/f/a/ f/c/f/a/ F/A/c/f/ a/f/c/A/|d/B/d/f/ c/A/c/f/ B/G/B/d/ A/F/A/c/|(3d/c/B/ (3c/B/A/ (3B/A/G/ (3A/G/^F/ G2G,2:|]

Tune annotations