Love in Secret Click on the tune title to see or modify Love in Secret's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Love in Secret Query the Archive
Theme code Index	135 225
Also known as
Composer/Core Source	Biography:Thomas O'Connellan
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	3/4
History
Structure	AB
Editor/Compiler	John Clinton
Book/Manuscript title	Book:Gems of Ireland: 200 Airs
Tune and/or Page number	No. 111, p. 56
Year of publication/Date of MS	1841
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Tune annotations

X:1
T:Love in Secret
M:3/4
L:1/8
R:Air
N:"Moderato"
B:Bunting - General Collection of the Ancient Music of Ireland (1796, No. 14)
Z:AK/Fiddler's Companion
K:G
(G/A/B) (B/A/G) (dB)|A3G  !fermata!G(3d/e/f/|g2 (g/f/e) .f.d|T[G3^c3e3]d [F2d2]|
{g}(f>e d).f.a.f|Te2 (deg).e|~d>e {e}(d/B/A/G/ D).B|[D3F3A3]G [B,2G2]||
(G/A/B) {c}(B/A/G) (A/B/d)|{E}F2 {G}(F/E/D) (E/F/A)|[^C2E2] (F/E/D) (F/G/A)|
TE3D  !fermata!D(3d/e/f/|g{f}e/>d/ [Gg]{f}e/>d/ [Gg]{f}e/>d/|B2 {c}B/A/G (B/c/d)|
(A2G)A B/c/d|{B}TA3G !fermata!GG/A/|B2 (c/B/A/G/) (B/c/d)|F2 (G/F/E/D/) (F/G/A)|
[^C2E2] (G/F/E/D/) (F/G/A)|(E>FED) D(3d/e/f/|g/f/e/d/ g/f/e/d/ g/f/e/d/|
B2 (c/B/A/G/) (B/c/d)|\
L:1/16
(A3B/A/) .G2.A2 (Bcd2)|T(A3BA2).G2 !fermata![B,4G4]||

X:1
T:Love in Secret
M:3/4
L:1/8
R:Air
N:”Moderato”
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 111, p. 56)
N:Irish-born John Clinton was a flute player and teacher at the 
N:Royal Conservatory, London.
Z:AK/Fiddler’s Companion
K:G
(G/A/B) (B/A/G) (dB)|(A3G) !fermata!G (3d/e/f/|.g2 (g/f/).e|(Te3d) d2|
{g}(f>e) .d.f.a.f|Te2 (de).g.e|d>{ed^cd}e {e}(d/B/A/G/)|(A3G).G2||
(G/A/).B {c}(B/A/).G (A/B/).d|{E}F2 {G}F/E/.D (E/F/).A|.E2 (F/E/D) (F/G/A)|TE3D !fermata!D (3d/e/f/|
.g{f}(e/>d/) .g{f}(e/>d/) .g{f}(e/>d/)|B2 {c}(B/A/).G (B/c/).d|(A2 G).A (B/c/d)|T(A3G) !fermata!.G(G/A/)|
.B2 (c/B/A/G/) (B/c/).d|.F2 (G/F/E/D/) (F/G/).A|.E2 (G/F/E/D/) (F/G/.A)|(E>F)(ED) !fermata!D (3d/e/f/|
.g/.f/.e/.d/ .g/.f/.e/.d/ .g/.f/.e/.d/|.B2 (c/B/A/G/) (B/c/).d|(A>B/4A/4) .G.A (B/c/).d|(A>B)T(A>G) !fermata!G2||

Tune annotations