Annotation:Salamanca (1)
X:1 T:Salamanca Reel [1] M:2/4 L:1/8 R:Reel and Hornpipe B:R.M. Levey – First Collection of the Dance Music of Ireland (1858, No. 54, p. 22) Z:AK/Fiddler’s Companion K:D d/>B/|A/D/ (3F/E/D/ A/D/ (3F/E/D/| A/d/c/d/ f/e/d/c/|B/E/ (3G/F/E/ B/E/ (3G/F/E/|(B/e/)e/d/ (c/e/)e/g/| f/B/ (3d/c/B/ b/B/ (3d/c/B/|f/e/d/c/ d/b/a/g/|f/(g/e/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):| |:(f/g/)|a/(f/d/)(f/ b/)(g/e/)(g/|f/)(g/e/)(c/ d/)(c/B/)(A/|B/)(d/c/)(e/ d/)(f/e/)(g/|f/)(a/^g/)b/ a(3A/B/c/| d/(e/f/)(g/ a/)(f/b/)(g/|f/)(e/d/)(c/ d/)(b/a/)(g/|f/)(e/d/)(c/ d/)(A/B/)(G/|F/)(G/E/)(F/ D):|]
SALAMANCA {REEL} [1] (Seisd/Cor Salamanca). AKA and see "Boyle's Reel," "Coronation Reel,” "Maigue's Tide," "Salamander," "Tartan Plaid (The)," "Wild Salamanca (The)." Irish, Scottish, English; Reel or Hornpipe. D Major. Standard tuning (fiddle). AB (Breathnach CRÉ 2, O'Neill {all versions}): AABB (most versions): AABBCCDD (Breathnach, CRÉ 1). Bayard (1981) says it is "probably no older" than the early 19th century, and, though apparently once-popular (inferred from the number of printings) it is of unknown origin. Breathnach (1976) gives that the tune is named after Wellington’s victory of the Peninsular Campaign in Spain in 1812 and not for the Irish college (or, for that matter, the famous 19th century racehorse of the same name), however, there reportedly is a seminary in Salamanca, Spain, where many Irish priests have studied. Salamanca lies 107 miles northwest of Madrid, and there Wellington won a spectacular victory over the imperial French forces, commanded by one of Napoleon’s Marshalls, Auguste Marmont, who was wounded in the battle. Wellington promptly marched for Madrid and forced the French puppet King Joseph Bonaparte (the older brother of Napoleon) to flee with his government. The tune was collected, with parts reversed, by Samuel Bayard in southwestern Pa. under the title "Boyle's Reel." It is a popular reel in County Donegal, although the 19th century Munster collector and Anglican cleric James Goodman (1828-1896) claimed it was a Connacht reel. Brendan Breathnach (1963) says that he heard that it is played as a hornpipe, although he himself never heard it being played so ‘sluggishly’. The title appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997). Dublin Piper Tommy Reck recorded the tune as a pipe solo on his first commercial effort, for the Copley label, paired with “Scholar (The)” and “Tom Steele.”