Annotation:Road to the Isles
X:1 % T:Road to the Isles C:Trad. R:Barndance M:4/4 L:1/8 K:D A>d|:"D"f4 a>fe>f|"G"d>ed>c B2 d>c|B>GB>c d>e f<a|"A"e6 A>d| "D"f4 a>fe>f|"G"d>ed>c B2 g2|"D"f>af>d "A"A>c e<c|1 "D"d6 A>d:|2 "D"d6 fg| |:"D"a>AA>A f>AA>A|"G"d>ed>c B2 d>c|B>GB>c d>e f<a|"A"e6 f>g| "D"a>AA>A f>AA>A|"G"d>ed>c B2 g2|"D"f>af>d "A"A>c e<c|1 "D"d6 fg:|2 "D"d6 z2|
ROAD TO THE ISLES. AKA and see “Bens of Jura,” "Burning Sands of Egypt (The)." Scottish, Canadian, American; (Pipe) March (duple time): Ireland, Barndance. USA; Michigan, southwestern Pa. D Major. Standard tuning (fiddle). AB. The tune was composed originally under the title "The Burning Sands of Egypt" by John McClellan, D.C.M., a poet and painter from Dunoon, Scotland, who was Pipe-Major of the 8th Battalion, Argyl and Sutherland Highlanders during World War I. Paul Gifford reports that William McNally (1870-1954), a well-known dulcimer player from Glasgow, claimed to have popularized that tune (and also "Skye Boat Song") and that he recorded the tune for Regal-Zonophone about 1932. The illiterate son of Irish circus people, he had learned the dulcimer from his mother and entertained for many years on excursion boats out of Oban in the Hebrides.
Later the tune was known as “Bens of Jura” (ben being the Gaelic word for mountain). Accordion player Jim Coogan remembered learning the tune from Irish musicians in New York in the 1950’s as an accompaniment for a dance called the "Pally Glide," reminiscent of the popular Irish dance “Shoe the Donkey.”