Annotation:Rochdale Coconut Dance
X:1 T:Coco-Nut Dance M:4/4 L:1/8 S:Noted by Dr. Henry Brierley N:"Rochdale Rush-Cart in the (eighteen) 'fifties." M:4/4 L:1/8 B:Gilchrist - Journal of the English Folk Dance Society, No. 1 (1927, p. 27) Z:AK/Fiddler's Companion K:C c2e2c2e2|dcBc d2g2|c2e2c2e2|dcBA G4| c2e2c2e2|dcBc d2g2|egfe dfed|c2e2 c4!fine!|| |:ABcB A2e2|ABcB A2e2|fedf edce|dcBc A2G2!D.C.!:|]
ROCHDALE COCONUT DANCE. English, Country Dance and Morris Dance Tune (4/4 time). E Minor ('A' part) & G Major ('B' part). Standard tuning (fiddle). AAB {The parts and repeats are reversed in Raven's and Wade's versions, and the tune is heard beginning on either part in sessions}. The tune is used for a polka step in the North-West (England) morris dance tradition. The “Rochdale Coconut Dance” was published by Anne Gilchrist in her article “The Lancashire Rush-Cart and Morris Dance” in the Journal of the English Folk Dance Society in 1927. It had been sent to her by Dr. Henry Brierley, a native of the cotton-mill town of Rochdale, Lancashire, who said the tune was used to accompany the Rochdale rush-cart in the 1850’s. “The dancers held half a coco-nut shell in each hand,” writes Gilchrist, “a half-shell also being strapped to each knee, and clapped the shells rhythmically to the following unvarying tune, played by the band. The dance was stationary, but according to his recollection the coco-nut dancers preceded the drawing-team of young men, ‘prancing’ in the procession. The tune has a general resemblance to Mr. Cecil Sharp’s traditional versions of both "Country Gardens" and "Hunt the Squirrel." I have seen no other record of this dance.” Simpson & Roud (Dictionary of English Folklore, 2000) identify Coconut Dancers as performing in the Lancashire town of Bacup on Easter Saturday. Bacup is a mill town, and the ‘coconuts’ employed by the dancers are bobbin tops from the mill which the dancers strap onto their hands, knees and waist. There are eight male dancers in the group, with a ‘whipper-in’ to help with clearing the space for the performance at each stop in the procession through the town. The dance itself is in the garland dance genre, performed with decorated semi-circular whoops, with dancers in costume and with blackened faces. Simpson and Roud date the tradition as starting at least as far back as 1857, although folklore investigations into the tradition date only from the 1920’s. The melodies (there are a half-dozen or so Bacup tunes, as well as the Nut Dance) have been popularized in modern times through the playing of the New Victory Band, Brass Monkey, and others.