Shaalds o' Foula (2) (Da)
X:1 T:Shaalds o' Foula [2], Da M:C L:1/8 B:James Hoseason music manuscript, Yell, Shetland, 1862 N:It seems apparent that Hoseason was unfamiliar with transcribing N:in 6/8 time. N:No key signature in ms. N:Scordatura tuning, AEae. Hoseason transcribed the tune as fingered N:"as if" in standard tuning. Z:AK/Fiddler's Companion K:C P:As written in ms. A|(DE)G GG fec T(B>A)|(ecA) T(Bc) EG GED|(DE).G .G.G (fec) T(B>A)|(ABc)G (Bc).d e3 D3:| f|e>c (Bc)e aec T(B>A)|(aec) TPc{c}(Bc) DA AED|ac (Bc)e fec (B>A)|(ABc)A (Bc)d e3 D3:|]
X:1
T:Shaalds o' Foula [2]
M:6/8
L:1/8
R:Jig
N:AEae tuning (fiddle)
B:Anderson - Ringing Strings (1983, p. 38)
K:A
(EFA) A2A|f(ec) (B2A)|e(cA) (B2c)|F2A A(FE)|
(EFA) A2A|f(ec) B2A|A(Bc/A/) B(cd)|e3 E3:|
|:e2c B(cd)|a(ec) B2A|a(ec) B2c|E2A A(FE)|
a2c B(ce)|f(ec) B2A|A(Bc/A/) B(cd)|e3 E3:|]
X:1
T:Shaalds o Foula, Da
N:Transcribed from a 1954 field recording of fiddler Peter Scollay (1922-2000),
N:Burravoe, Yell, Shetland.
N:Scollay often played the 'G' notes between 'g' natural and 'g' sharp, but keeping
N:the 'double tonic' tonality in the fourth and twelfth measures of each part.
N:The tune is a version of "Molly Put the Kettle On."
M:6/8
L:1/8
R:Jig
D:https://www.tobarandualchais.co.uk/track/87313?l=en
Z:Andrew Kuntz
K: G
D>EG G2g|e>dB A2B|G2B A2B|G>AG G>ED|
D>EG G2g|e>dB A2B|G2B ABc|1d3 d3:|2 d3def||
g2dB2d|edc B3|gdB {c}BAG|BGE {G}E2D|
g2dB2d|edc B2A|GAB ABc|d3 def|
g2dB2 d|edB B2ef|gdB {c}BAG|AGE {G}E2D|
D>EG G2g|e>dB {c}BAB|G2B ABc|d3 d3||
X:1
T:Shaalds o’ Foula [2], Da
T:Foula Reel, Da
L:1/8
M:6/8
B:Anderson & Georgeson - Da Mirrie Dancers (1970, p. 15)
K:G
D | E2G G2e | edB BAG | G2B A2B | G2A GED |
E2G G2e | edB BAG | G2B A2B | d3 D3 :|
|: edB ABd | edB BAG | {f}g2B A2B | G2A GED |
edB ABd | edB BAG | {f}g2B A2B | d3 D3 :|]