Annotation:Miss Campbell's (4)

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X:1 T:Miss Campbell’s Reel [4] M:C L:1/8 R:Reel S:Rev. Luke Donnellan – “Oriel Songs and Dances", S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 14) Z:AK/Fiddler’s Companion K:Dmix DE|FEDE FGAB|cBcG ECCE|FEDE FGAg|fdec dDDg:|| fdad bagf|ecgc efga|fdad ecge|fdec dDDg| fdad bagf|ecgc efga|fdAd cAGB|AFGE FD D2||

MISS CAMPBELL'S [4] (REEL). AKA and see "Mr. Menzies of Culdaires." Irish, Reel (cut time). D Mixolydian. Standard tuning (fiddle). AB. "Miss Campbell's Reel [4]" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster^[1]. Compare with "Miss Campbell's (3)."

Additional notes
Source for notated version : - Rev. Luke Donnellan's music manuscript collection [O'Connor].

Printed sources : - Rev. Luke Donnellan, “Oriel Songs and Dances” (Journal of the County Louth Archeological Society, vol. II), No. 2, 1909; No. 14. Gerry O'Connor (The Rose in the Gap), 2018; No. 209, p. 106.

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↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.

[1] Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.

[1]