Jump to content

Annotation:Queen Mary’s Lamentation

Find traditional instrumental music
Revision as of 23:33, 19 January 2024 by Andrew (talk | contribs)


{{#seo: |type=article |author=https://www.tunearch.org/wiki/User:Andrew |published_time=2024-01-19 |description=The Internet Archive of traditional Irish, Scottish, British and North American tunes with annotations and free sheet music in pdf |keywords=fiddle tune finder, find recordings, irish traditional music, tune name finder, tunes in abc format, english country dance, old-time music |image=TUC-160x120.png |image_alt=tune name finder }} __NOABC__


{{#lst:Queen Mary’s Lamentation|abc}}


{{safesubst:#invoke:string|rep|
|1}}

QUEEN MARY’S LAMENTATION. Scottish, Air (3/4 time). G Major. Standard tuning (fiddle). AAB. The air was published in several late 18th century sources, including Benjamin Carr’s The Caledonian Muse (Philadelphia, 1798). It was a composition of Tommaso Giordani [1] (1730–1806), a Neapolitan composer who spent much of his mature career in London and Dublin. He came to London with his father’s opera company, where he presented his first opera in 1756. In the next twenty years, still based in London, he composed three other operas, plus arranged other works; he then removed to Dublin and produced seven more operas. His output included sacred music, songs, cantatas, canzonets and chamber music, and his keyboard music was very popular in his time, rivaling J.C. Bach’s, particularly with amateur musicians.

{{safesubst:#invoke:string|rep|
|1}}

Additional notes {{safesubst:#invoke:string|rep|
|1}}

{{safesubst:#invoke:string|rep|
|2}} Printed sources : - Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 4), 1796; No. 52, p. 20. O’Farrell (Pocket Companion, vol. IV), c. 1810; p. 136. {{safesubst:#invoke:string|rep|
|2}}

{{safesubst:#invoke:string|rep|
|2}}

{{safesubst:#invoke:string|rep|
|2}}


Back to Queen Mary’s Lamentation {{#default_form:TuneAnnotation}}

<vote type=1 />


__NOTITLE__