Bodmin Riding

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Bodmin Riding  Click on the tune title to see or modify Bodmin Riding's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bodmin Riding
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 Theme code Index    1111 1111
 Also known as    Grand Turk's March, " "St. Ives Feast, " "St. Ives Well Procession, " "Ct. Brown's March."
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    March/Marche
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4
 History    England/South"England/South" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
 Structure    AABB
 Editor/Compiler    Biography:Barry Callaghan
 Book/Manuscript title    Book:Hardcore English
 Tune and/or Page number    p. 30
 Year of publication/Date of MS    2007
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


BODMIN RIDING. AKA and see "Grand Turk's March," "St. Ives Feast," "St. Ives Well Procession," "Ct. Brown's March." English, March (4/4 time). G Major. Standard tuning (fiddle). AABB. Bodmin is a village in Cornwall. Bodmin Riding refers to an ancient celebration dating back to the15th century, held annually held on the Sunday and Monday after July 7th (on, St. Thomas a Becket's Day). The pagent is supposedly based on events that led to the hanging of the town's mayor. Simpson and Roud (Oxford Dictionary of English Folklore, 2000) say that accounts of the pagent vary over its long history, but involved "a horseback procession around the town, carrying two large garlands, and probably originated as a Guild Riding custom." In modern times Bodmin Riding ceased in the early 19th century, but was revived in 1974 and continues to this day. The melody appears in the 18th century musicians' manuscripts of Benjamin Cooke (c. 1770, Leeds, west Yorkshire), Joseph Barnes (1762, Carlisle, Cumbria), and James Biggins (1779, Leeds, west Yorkshire). Barry Callaghan (2007) also says it is by repute in a manuscript by Thomas Quiller Couch of 1864.

Printed source: Callaghan (Hardcore English), 2007; p. 30.


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