Annotation:Grace Nugent



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Sheet Music for "Grace Nugent by Carralan"Grace Nugent by CarralanAir1212Book: Neal – Collection of the Most Celebrated Irish Tunes (1724, p. 26)



GRACE NUGENT. Irish, Air or Planxty. G Dorian (Tnompson): A Minor/Dorian (Bunting, Neal, Wright). Standard tuning (fiddle). AB. One of the early compositions of Turlough O'Carolan (1670-1738) from the period he was residing with one of his first patrons, George Reynolds Esq., of Letterfyan. The year was 1693, O'Carolan was age 23, and Grace was the first cousin of Squire Reynolds. She was also the fifth and youngest daughter of James Nugent of Castle Nugent, Westmeath, records O'Sullivan (1958), and married her neighbor, Edward Crofton. However, at the time Carolan composed the air Grace was unmarried and living with her siter, Mrs. Conmee (for whom Carolan composed "Elizabeth Nugent"), according to a letter from Charles O'Conor in 1785. The tune was published in Daniel Wright's Aria di Camera, London, 1727. Later in the century the Scottish poet Robert Burns used the tune for his song "Louis, what reck I by Thee?" The Belfast Northern Star of July 15th, 1792, recorded that the tune was played by one of ten harp masters at the last great convocation of ancient Irish harpers, the Belfast Harp Festival, held that week.
Turlough O'Carolan



The melody, as O'Sullivan points out, is based on the familiar English air "British Grenadiers (The)," which dates to the 16th century and predates Carolan's composition. John Mulholland's version (Ancient Irish Airs, 1810) [1] is nearly identical with Edward Bunting's version in the first strain, but differs somewhat in the second.


Additional notes
Source for notated version : - Samuel, Anne and Peter Thompson's Hibernian Muse; a Collection of Irish Airs, including the Most Favourite Compositions of Carolan, the Celebrated Irish Bard (London, c. 1786) [O'Sullivan].

Printed sources : - Broderip & Wilkinson (A Favourite Collection of the so much Admired old Irish Tunes, the Original & Genuine Compositions of Carolan the Celebrated Irish Bard), London, c. 1804; No. 2, p. 1[1]. Bunting (General Collection of the Ancient Music of Ireland), 1796; No. 65, p. 36. Complete Collection of Carolan's Irish Tunes, 1984; No. 110, p. 81. John Lee (A Favourite Collection of the so much admired old Irish Tunes, the original and genuine compositions of Carolan), Dublin, 1780; p. 1. Mulholland (Ancient Irish Airs), 1810; p. 50. Neal (Collection of the Most Celebrated Irish Tunes), 1724; p. 26. O'Sullivan (Carolan: The Life, Times and Music of an Irish Harper), 1958; No. 110, p. 159. Samuel, Anne & Peter Thompson (The Hibernian Muse), London, 1787; No. 13, pp. 8-9. Daniel Wright (Aria di Camera), London, 1727; No. 43.






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  1. This appears to be a plagiarized reissue of Lee’s or Mulhollan's volume, without the names of tunes, only numbers.