Cobbler (3) (The)

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Theme code Index	3b1H3b5 3b1H24
Also known as	Blue Ribbon Polka (2), Din Tarrant's (9), Din Tarrant's No. 1, O'Keeffe's Polka (2), Tarrant's (2)
Composer/Core Source
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Polka
Key/Tonic of	B
Accidental	3 sharps
Mode	Dorian
Time signature	2/4
History	Ireland/Munster"Ireland/Munster" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
Structure	AABB
Editor/Compiler	Biography:Terry Moylan
Book/Manuscript title	Book:Johnny O'Leary of Sliabh Luachra
Tune and/or Page number	No. 80, p. 46
Year of publication/Date of MS	1994
Artist	Biography:Johnny O'Leary
Title of recording	Music for the Set
Record label/Catalogue nr.	Topic 12T357
Year recorded	1977
Media
Score ()

COBBLER [3], THE. AKA and see "Blue Ribbon Polka [2]," "Din Tarrant's [9]," "Din Tarrant's No. 1," "O'Keeffe's (Polka) [2]," "Tarrant's [2]." Irish, Polka. Ireland, Sliabh Luachra region of the Cork-Kerry border. B Minor/Dorian. Standard tuning (fiddle). AABB. Source O'Leary thought Kerry musicians Julia and Billy Clifford responsible the the title. He paired the tune with either "I Won't Marry Her" or "Dan Sweeney's." Versions also in E Minor (see "Blue Ribbon Polka [2]").

Source for notated version: Din Tarrant via accordion player Johnny O'Leary (Sliabh Luachra region) [Moylan].

Printed source: Moylan (Johnny O'Leary), 1994; No. 80, p. 46.

Recorded sources: Gael-Linn CEF092, Julia and Billy Clifford - "Ceol as Sliabh Luachra" (1982). Topic 12T357, Johnny O'Leary - "Music for the Set" (1977. Appears as first tune of "Din Tarrant's").

X: 1
T:The Cobbler [3]
M:2/4
L:1/8
Q:320
R:polka
D:North Cregg: mi.da:za
Z:Devin McCabe
F:http://jc.tzo.net/~jc/music/abc/mirror/irishtunes.net/itunenet.abc	
K:BMin
c|:dB bB|de f>e|dB bB|c/2B/2A/2c/2 e>c|
!dB bB|de f>e|de f/2e/2d|1B2 B>c:|2B2 B2|
!:~f2 ba|fe f>e|dB bB|c/2B/2A/2c/2 e2|
!~f2 ba|fe f>e|de f/2e/2d|1B2 B2:|2B2 B>c||