Annotation:Old Grey Goose (1)

Find traditional instrumental music
Revision as of 05:34, 13 October 2014 by Andrew (talk | contribs) (Created page with "=='''Back to [[{{BASEPAGENAME}}]]'''== ---- <p><font face="garamond, serif" size="4"> '''OLD GREY GOOSE [1], THE''' (An Sean Gead Liat). AKA and see "We'll All Take a Coach ...")
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)

Back to Old Grey Goose (1)


OLD GREY GOOSE [1], THE (An Sean Gead Liat). AKA and see "We'll All Take a Coach and Trip it Away." Irish, Double Jig. E Minor. Standard tuning (fiddle). AABBCCDEEFF (Taylor): AABBCCDDEEFF (Miller & Perron, O'Neill/1915, 1001 & 1850): AABB'CC'DDEE (O'Neill/Krassen): AABB'CC'DD'EEFF' (Alewine): AABBCCDDEEFFGG (Moylan). The multi-part jig that appears in the great Chicago compiler, Captain Francis O'Neill's Music of Ireland (1903) is a composite melody, made up of two separate tunes grafted together. O'Neill himself identified "an old time jig named "We'll all take a coach and trip it away", a five-part tune printed in [uilleann piper] O'Farrell's National Irish Music, 1797-1800" as the precursor tune to his "The Old Grey Goose." Precursors also appear under the titles "Breeches Loose" (a two-part tune in an 18th-century English violin tutor) and later, in Scotland, as "Britches Maker (The)." O'Neill's story is that the version he printed came about in a rather circuitous fashion, beginning in the 1880's when a renowned Irish piper by the name of John Hicks (a protege of the 'Sporting' Captain Kelly from the Curragh of Kildare) played a venue in Chicago. On that occasion several of his tunes were memorized by local musicians and subsequently entered Irish-American tradition in that city. Hicks' tune is the 1st and 3rd parts of "Old Grey Goose." O'Neill himself heard the 1st and 2nd parts as a jig played by County Leitrim fiddler James Kennedy who called it "The Geese in the Bogs" and when he dictated the melody to his collaborator, fiddler James O'Neill, he discovered James had a manuscript version with six parts. Somewhat arbitrarily, they decided to use the last three parts of J. O'Neill's manuscript version, with the three obtained from Hicks and Kennedy, and, since they already had a tune by the name of "Geese in the Bogs" they decided to call the piece "Old Grey Goose."

A variant of the tune called "Rakes of Kinsale (The)" is to be found in Joyce's Old Irish Folk Music and Songs (1909). See also the related "Day after the Fair."

Renowned 78 RPM era fiddler Michael Coleman, originally from County Sligo, recorded O'Neill's setting of the jig in New York, and this, like other Coleman records, was imported back to Ireland where it made a great impression. Subsequent recordings were made by the Moate Ceili Band in Ireland in 1938, followed by the Aughrim Slopes Ceili Band in 1956. Peter Woods, in his book The Living Note: the Heartbeat of Irish Music (1996), tells of his character's playing the tune on the fiddle for his old teacher in County Clare because he had no gramophone and did not read music:

He was awful quick to pick up a tune. He was like a bone-setter reaching in to find what was important to him and knitting it all together. It was never just the notes with him--it was the notes between the notes. I remember once playing 'The Old Grey Goose' for him, there's six or seven parts to it. 'O Lord,' he says, 'there's fistfuls of music in that jig. Fistfuls.'


Sources for notated versions: Michael Coleman (Co. Sligo, Ireland, and New York) [Miller & Perron]; accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border), recorded in recital at Na Píobairí Uilleann, November, 1990 [Moylan].

Printed sources: Alewine (Maid that Kissed the Chicken's Lips), 1987; p. 27. Cotter (Traditional Irish Tin Whistle Tutor), 1989; 56. Miller & Perron (Irish Traditional Fiddle Music), 1977; vol. 1, No. 5. Miller & Perron (Irish Traditional Fiddle Music), 2nd Edition, 2006; pp. 30-31. Moylan (Johnny O'Leary), 1994; No. 172, pp. 98-99. O'Farrell (c. 1800). O'Neill (O'Neill's Irish Music), 1915; No. 128, p. 74. O'Neill (Krassen), 1976; p. 51. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1000, p. 186. O'Neill (Dance Music of Ireland: 1001 Gems), 1986; No. 214, p. 49. Taylor (Where's the Crack), 1989; p. 20.

Recorded sources: Cló Iar-Chonnachta CICD 167, Peter Horan & Gerry Harrington - "The Merry Love to Play" (2007).

See also listings at:
Alan Snyder's Cape Breton Fiddle Recording Index []
Alan Ng's Irishtune.info [1]




Back to Old Grey Goose (1)