Maggy Lawder Click on the tune title to see or modify Maggy Lawder's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Maggy Lawder Query the Archive
Theme code Index	1H1H1H1H 2H4H72H
Also known as	Maggie Laidir, Maggie Lauder, Maggie Lawder, Moggy Lawther
Composer/Core Source
Region	England, Scotland, Ireland
Genre/Style	Irish, Northumbrian/Borders, Scottish
Meter/Rhythm	Polka, Reel (single/double), Schottische/Schottis/Jennkka/Reinlander
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	2/2
History
Structure	AB, AABB, AABBCCDDEE, AABBCCDDEEFFGGHH
Editor/Compiler	Biography:Craig Adams
Book/Manuscript title	Book:Collection of the Choicest Scots Tunes
Tune and/or Page number	pp. 38-40
Year of publication/Date of MS	1730
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Tune annotations

X:1
T:Moggy Lawther
M:C
L:1/8
R:Air
B:Cibber - Patie and Peggy (1730, Air IX)
Z:AK/Fiddler's Companion
K:A
B|A>BA>A A>BA>A|B>cB>A G>AB>B|c>AA>A A>BA>A|
c>de>d c>de>e|f>ed>c d>cB>c|d>cB>A G>AB>B|
A>GF>E D>CB,>d|c>dB>c A2A2||

X:1
%
T:Magie Lawder
M:C|
L:1/8
R:Reel
N:"Brisk"
S:McGibbon - Scots Tunes, Book 1 (c. 1762)
Z:AK/Fiddler's Companion
K:D
"Brisk"d>edf d>edf | e>f g/f/e/d/ Tc2 (e>f/2g/4) | fddd d>edf | a>b a/b/a/g/ Tf2a2 | 
g>agb f>gfa | e>f (g/f/)(e/d/) Tc2e2 | (d/c/)T(B/A/) (B/A/)(G/F/) (G/F/)T(E/D/) Eg | (f/g/a) Te>f d2 D2 :|
|: (f/g/a) dg f/g/a/f/ d>f | e>f (g/f/)(e/d/) Tc2e2 | (f/g/a) dg (f/g/a) d>f | a>b a/b/a/g/ Tf2a2 | 
T(g/f/g/a/ g)b T(f/e/f/g/ f)a | e>f g/f/e/d/ Tc2e2 | d/c/B/A/ B/A/G/F/ G/F/E/D/ E>g | (f/g/a) Te>f d2 D2 :|
|: D>EDg a/g/f/e/ df | e>f g/f/e/d/ Tc2e2 | D>EDg (f/g/a/)f/ d/e/f/g/ | a/g/a/b/ a/b/a/g/ Tf2a2 | 
(g/d/)(b/d) (g/d/)(b/d/) (f/d/)(a/d/) (f/d/)(a/f/)|e>f g/f/e/d/ Tc2e2|(d/c/)(B/A/) (B/A/)(G/F/) (G/F/)(E/D/) E>g|(f/g/a) e>f d2 D2:|
|:(f/g/a/)f/ d/A/e/g/ (f/g/a/)f/ d/A/d/f/|e(e/f/) (g/f/)(e/d/) Tc2e2|(f/g/a/)f/ d/A/e/g/ (f/g/a/)f/ d/e/f/g/|a/(d'/c'/b/) (a/g/f/)g/ Tf2a2|
g b2 a/g/ f a2 g/f/ | e>f (g/f/)(e/d/) Tc2e2 | (d/c/)(B/A/) (B/A/)(G/F/) (G/F/)(E/D/) E>g | (f/g/a) e>f d2 D2 :|
|: f/a/d/f/ A/d/F/A/ D>EDf | e>f g/f/e/d/ Tc2 (e>f2g/4) | f/a/d/f/ A/d/F/A/ D>EDf | a>b a/b/a/g/ Tf2a2 | 
(g/b/)(b/d') (d'b)T(aa/g/)|(f/a/)(a/d'/) d'/(a/g/f/)|(e/g/f/)a/ (g/f/)(e/d/) Tc2e2 | (d/c/)(B/A/) ( B/A/)(G/F/) (G/F/)(E/D/) E>g | 
(f/g/a) Te>f d2 D2 :||: D/F/A/d/ A/d/f/a/ d/f/a/d'/ d>f | (e/f/g/)f/ e/(d/c/d/) Tc2e2 | D/F/A/d/ A/d/f/a/ d/f/a/d'/ d/e/f/g/ | 
(a/g/a/)b/ a/b/a/g/ Tf2a2 | b/g/d/B/ G>b a/f/d/A/ F>a | e>f (g/f/)(e/d/) Tc2e2 | (d/c/)(B/A/) (B/A/)(G/F/) (G/F/)(E/D/) E>g | 
(f/g/a) Te>f d2 D2 :||: d>e df/g/ a/g/f/e/ d/e/f/d/ | eE g/f/e/d/ Tc2 (e>f/2g/4) | 
f/(d/c/d/) (d/c/d/)d/ d/A/B /c/ d/e/f/g/ | T(a/g/a/)b/ a/b/a/g/ Tf2a2 |b/g/d/B/ G/d/g/b/ a/f/d/A/ F/d/f/a/|
e>f g/f/e/d/ Tc2e2|(d/c/)(B/A/) (B /A/)(G/F/) (G/F/)(E/D/) E>g | (f/g/a) Te>f d2 D2:|
|:f/a/d/f/ A/d/F/A/ D/F/A/d/ F/A/d/f/|(e/f/e/f/) (g/f/e/d/) Tc2 (e>f/2g/4)|f/a/d/f/ A/d/F/A/ D/F/A/d/ F/A/d/f|
T(a/g/a/)b/ a/b/a/g/ Tf2a2 | b/(g/d/g/) (b/g/)(d'/b/) a/(f/d/f/) (a/f/)(d'/f/) | (e/f/)(e/f/) (g/f/)(e/d/) Tc2e2 | 
(3d/c/B/ (3c/B/A/ (3B/A/G/ (3A/G/F/ (3G/F/E/ (3F/E/D/ E>g | (f/g/a/)f/ (e/f/g/)e/ d2 D2 :|]

X:1
T:Maggie Lawder with Variations
M:C|
L:1/8
R:Country Dance Tune
S: William Clark of Lincoln music manuscript collection (1770)
Z:AK/Fiddler’s Companion
K:D
d>edf d>edf|\
L:1/16
e3f (gfed) c4 (e3f/g/)|\
L:1/8
fddd d>edf|a>b (a/b/a/g/) f2a2|
g>bgb f>gfa|e>f (g/f/e/d/) Tc2 e2|(d/c/B/A/) (B/A/G/F/) (G/F/E/D/) E>g|
(f/g/a) e>f d2D2::(f/g/a) dg (f/g/a/f/) d>f|e>f (g/f/e/d/) Tc2e2|
(f/g/a) dg (f/g/a) d>f|ab (a/b/a/g/) Tf2 a2|(g/f/g/a/) gb (f/e/f/g/) fa|
e>f (g/f/e/d/) Tc2e2|(d/c/B/A/) (B/A/G/F/) (G/F/E/D/) E>g|(f/g/a) e>f d2 D2:|
P:Var. 1
D>EDg (a/g/f/e/d/) d>f|e>f (g/f/e/d/) Tc2e2|D>EDg f/g/a/f/ d/e/f/g/|
a/g/a/b/ a/b/a/g/ f2 a2|(g/d/)9b/d/) (g/d/)(b/d/) (f/d/)(a/f/) (f/d/)(a/f/)|
e>f g/f/e/d/ Tc2e2|(d/c/B/A/) (B/A/G/F/) (G/F/E/D/) E>g|(f/g/a) Te>f d2D2:|
|:(f/g/a/f/)  d/A/e/g/ (f/g/a/f/) d/A/d/f/|e>f (g/f/e/d/) c2e2|f/g/a/f/ d/A/e/g/ (f/g/a/g/) d/e/f/g/|a/d’/c’/b/ a/g/f/g/ f2a2|g b2 a/g/ f a2 g/f/|
e>f g/f/e/d/ Tc2e2|(d/c/B/A/) (B/A/G/F/) (G/F/E/D/) E>g|(f/g/a) Te>f d2D2:|
P:Var. 2
f/a/d/f/ A/d/F/A/ D>EDf|\
L:1/16
e3f (gfed) c4 (e3f/g/)|\
L:1/8
f/a/d/f/ A/d/F/A/ D>EDf|a>b a/b/a/g/ Tf2a2|(g/b/)(b/d’/) (d’/b/)T(a/g/) (f/a/)(a/d’/) (d’/a/)(g/f/)|
(e/g/)(f/a/) (g/f/e/d/) Tc2e2|d/c/B/A/ B/A/G/F/ G/F/E/D/ E>g|(f/g/a) e>f d2 D2:|
|:D/F/A/d/ A/d/f/a/ d/f/a/d’/ d>f|(e/f/g/f/) (e/d/c/d/) Tc2e2|
D/F/A/d/ A/d/f/a/ d/f/a/d’/ d/e/f/g/|(a/g/a/b/) (a/b/a/g/) Tf2 a2|
b/g/d/B/ G>b a/f/d/A/ F>a|e>f (g/f/e/d/) Tc2e2|(d/c/B/A/) (B/A/G/F/) (G/F/E/D/) E>g|(f/g/a) Te>f d2D2:|
P:Var. 3
d>e df/g/ a/g/f/e/ d/e/f/d/|\
L:1/16
e2E2 (gfed) c4 (e3f/g/)|\
L:1/8
f/d/c/d/ d/c/d/d/ d/A/B/c/ d/e/f/g/|a/ga/b/ a/b/a/g/ f2 a2|
b/g/d/B/ G/d/g/b/ a/f/d/A/ F/d/f/a/|Te>f (g/f/e/d/) Tc2 e2|
(d/c/B/A/) (B/A/G/F/) (G/F/E/D/) E>g|(f/g/a) Te>f d2:|
|:f/a/d/f/ A/d/F/A/ D/F/A/d/ F/A/d/f/|\
L:1/16
(efef) (gfed) c4 (e3f/g/)|\
L:1/8
f/a/d/f/ A/d/F/A/ D/F/A/d/ F/A/d/f/|a/g/a/b/ a/b/a/g/ Tf2a2|
(b/g/)(d/g/) (g/b/(d’/b/) (a/f/(d/f/) (a/f/)(d’/f/)|(e/f/e/f/) (g/f/e/d/) Tc2 e2|
(3d/c/B/ (3B/A/G/ (3A/G/F/ (3G/F/E/|(3F/E/D/ E>g|(f/g/a/f/) (e/f/g/e/) d2 D2:|]

X:3
%
T:Maggy Lawder
M:C|
L:1/8
S:Aird, vol. II (1785)
Z:AK/Fiddler's Companion
K:D
d>edf d>edf | e>f g/f/e/d/ c2 (e>f/2g/4) | fddA dedf | ab a/b/a/g/ f2a2 | 
g>agb f>gfa | e>f (g/f/)(e/d/) c2e2 | (d/c/)(B/A/) (B/A/)(G/F/) G/F/E/D/ Eg | (f/g/a) ef d2D2 :|
|: (f/g/a) dg f/g/a/f/ d>f | e>f (g/f/)(e/d/) c2e2 | (f/g/a) dg (f/g/a) df | a>b a/b/a/g/ f2a2 | 
(g/f/g/a/) gb (f/e/f/g/) fa | e>f g/f/e/d/ c2e2 | (d/c/B/A/) (B/A/G/F/) (G/F/E/D/) E>g | (f/g/a) e>f d2D2 :|]

X:4
%
T:Maggie Lawder,variations. HSJJ.186
M:4/4
L:1/8
Q:1/4=120
S:HSJ Jackson,Wyresdale,Lancs.1823
R:.Air
O:England
A:Lancashire
N:Whew!.
H:1823
Z:vmp.Chris Partington
K:D
.de.df .de.df|eF g/f/e/d/ c2{d}e2|dedf dedf|ab a/b/a/g/~f2a2|!
g/f/g/a/ g/b/a/g/ f/e/f/g/ f/a/g/f/|e/d/e/f/ g/f/e/d/c2{d}e2|!
(d/c/).B/.A/ (B/A/).G/.F/ (G/F/).E/.D/ Eg|\
(f/a/).g/.f/ (e/g/).f/.e/d2D2:|!
|f/g/a/f/ dg f/g/a/f/ df|eE g/f/e/d/c2e2|f/g/a/f/ dg f/g/a/f/ df|!
a>b a/b/a/g/ f2a2|(g/f/)g/a/ (g/b/).a/.g/ (f/e/).f/.g/ (f/a/).g/.f/|\
(e/d/).e/.f/ (g/f/).e/.d/c2e2|!
(d/c/).B/.A/ (B/A/).G/.F/ (G/F/).E/.D/ Ef|\
(f/a/).g/.f/ (e/g/).f/.e/d2D2:|!
|:(a/f/).d (a/f/).d (a/f/).d/.f/ (d/f/).a/f/|eE g/f/e/d/c2e2|\
a/f/d/f/ d/f/a/f/ a/f/d/f/ d/f/a/f/|!
a/g/a/b/ a/b/a/g/f2a2|\
.g/(B/G/B/) G/-B/.g/.B/ .e/(c/A/c/) (A/c/)e/c/|Df (g/f/).e/.d/c2e2|!
(d/c/)B/A/ (B/A/)G/F/ G/F/E/D/ Eg|f/a/g/f/ e/g/f/e/d2D2:|!
|:(D/F/).A/.d/ (D/F/).A/.d/ f/a/D/g/ f/a/D/f/|\
eE g/f/e/d/c2e2|D/F/A/d/ D/F/A/d/ f/a/D/g/ f/a/D/f/|!
a/g/a/b/ a/b/a/g/f2a2|\
.g/(B/G/B/) G/B/g/B/ e/c/A/c/ A/c/e/c/|!
Ee g/f/e/d/c2e2|(d/c/).B/.A/ (B/A/).G/.F/ (G/F/).E/.D/ Eg|\
f/a/g/f/ e/g/f/e/d2D2:|]

Tune annotations