Annotation:Whistle and I'll Come to You My Lad
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WHISTLE AND I'LL COME TO YOU MY LAD. AKA and see "Since Love is the Plan," "Whistle and I’ll Wait for You." Scottish (originally Irish), Slow Jig. G Minor. Standard tuning (fiddle). AABB. A 4/4 time version of the tune is "Fife Hunt (The)." The air was reputedly composed by fiddler John Bruce, born between 1700 and 1720 in Braemar. He took part in the rising of 1745, but was imprisoned in Edinburgh Castle when Bonnie Prince Charlie was defeated, though his skill at the fiddle supposedly helped to mitigate his sentence. He later lived at Dumfries and there became acquainted with Robert Burns before his death in 1785. Burns thought Bruce composed the melody and said, "this I known, Bruce, who was an honest man, though a red-wud Highlander, constantly claimed it; and by all the old musical people here, (viz. Dumfries) his is believed to be the author of it." Burns wrote two stanzas to the tune for the Scots Musical Museum in 1787 and an additional two for the 1793 edition. They begin:
O whistle, and I'll come to you, my lad,
O whistle, and I'll come to you, my lad,
Tho father and mither and a' should gae mad,
O whistle, and I'll come to you, my lad.
Come down the back stairs when ye come to court me,
Come down the back stairs when ye come to court me,
Come down the back stairs, and let naebody see,
And come as ye were na coming to me.
Gow (1806) identifies the tune as "Irish," perhaps because a version was used as the vehicle of a song (beginning "Since love is the plan, I'll love if I can") by playwright John O'Keefe for his comic opera Poor Soldier (1783).
Source for notated version:
Printed sources: The British Minstrel and Musical and Literary Miscellany, vol. 2, 1843 45, p. 169. Carlin (The Gow Collection), 1986; No. 380. Crosby (The Caledonian Musical Repository), 1811; p. 144. Crosby (The Irish Musical Repository), 1808; p. 284. Goulding (Instructions for the Fife), 1790; p. 30. Gow (Complete Repository, Part 3), 1806, p. 12. (Popular Songs of Scotland), 1908; pp. 244–245. Johnson (The Scots Musical Museum, vol. 2), 1787 1803; No. 106 and vol. VI, No. 560. Kerr (Merry Melodies, vol. 1), c. 1880, p. 33. Moffat (The Minstrelsy of Ireland), 1897; p. 280. Murphy (Irish Airs and Jigs), 1809 or 1820; p. 18. O'Farrell (Collection of National Irish Music for the Union Pipes), 1804; p. 19 (as "Drunk at Night and Dry in the Morning"). O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 391. Shield (The Poor Soldiers), 1782?; pp. 3 5, 8.
Recorded sources: