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Theme code Index	2555 2454
Also known as	Barrack Street Boys (The), Birnie-Bouzle, Braes of Tullimet (The), Braes o' Tullymet (The), Brides Away, Bride to Bed (The), Brides to Bed, British Naggon, Cheese It, Corney is Coming, Crawford's Reel (1), D. Dick's Favourite, Honeymoon (2) (The), Honeymoon Reel (2), I Saw Her, Kelly's Reel, Miss Grant of Grant (1), Miss Wilson, Merry Bits of Timber, My Love is in America, My Love is in the House (1), Shannon Breeze (2), Six Mile Bridge
Composer/Core Source
Region	Canada, Scotland
Genre/Style	Cape Breton/PEI, Scottish
Meter/Rhythm	Schottische/Schottis/Jennkka/Reinlander, Strathspey
Key/Tonic of	G
Accidental	2 flats
Mode	Aeolian (minor)
Time signature	4/4
History	CANADA(Maritimes/English)
Structure	AB
Editor/Compiler	Joshua Campbell
Book/Manuscript title	Book:A Collection of New Reels & Highland Strathspeys &c.
Tune and/or Page number	p. 19
Year of publication/Date of MS	1789
Artist	Biography:John 'Dancie' Reid
Title of recording	Scottish Tradition 9: The Fiddler and his Art
Record label/Catalogue nr.	Greentrax CDTRAX 9009
Year recorded	1993
Media
Score ()

Tune annotations

X:1
%
T:Braes of Tullymet, The
M:C
L:1/8
R:Strathspey
B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, 19)
Z:AK/Fiddler’s Companion
K:Gmin
c|A<(dd>)c Td>cdf|c<FTc<FTc>A|A<(dd>c) d>cdg|(f>d)Tc(c>A) T(A>G)Gc|
A<(dd>)c Td>cdf|c<FTc>A c<FTc>A|A<(dd>)c (d/c/d/f/) (g/f/g/b/)|
(g/f/e/d/) (d/c/B/A/) T(A>G)G||^f|g>dg>b g>dg>b|f>cf>a f>cf>a|
g>dd>e f>ga>g|f>c d/c/B/A/ TA>GGd|(g>d)(g>b) (d/f/)g/a/ (b>g)|
(f>c)(f>a) (c/d/)f/g/ a>!fermata!f|f>dde (f/e/f/g/) (a/g/a/f/)|(b/g/f/d/) (f/d/c/A/) B>GG||
c|(B>d)(G>d) (B>G)(d>G)|(f>c)(d>f) T(A>F)(c>F)|(G>d)(B>d) (G>d)(g>d)|
f>c (d/c/B/A/) B(GG)c|(B/d/c/d/) (G/d/c/d/) (f/d/c/d/) (B/c/d/g/)|(f/a/g/b/) (a/f/c/f/) (A/c/f/c/) (A/c/A/F/)|
(G/B/A/c/) (B/d/c/f/) (g/f/g/a/) (b/a/b/g/)|(f/b/g/_e/) (d/f/c/A/) TB(GG)||d|g>dg>b (G/B/)d/g/ (b>g)|
f>cf>a (F/A/)c/f/ T(a>f)|g>d (B/c/d/f/) T(g/f/g/a/) b>g|T(a/g/4f/4) (c/>f/) d/c/B/A/ TB(GG)d|
(g/d/B/d/) (g/d/b/d/) (G/B/d/g/) (b/a/b/g/)|(f/d/c/TB/) (A/c/f/a/) (F/A/c/f/) (a/g/a/f/)|
(g/b/d/g/) (B/c/d/f/) (g/f/g/a/) (b/a/b/g/)|(f/d/b/g/) (f/d/c/A/) TBGG||

X:1
%
T:Braes of Tulliemet, or D. Dick's Favorite
M:C|
L:1/8
R:Strathspey
B:Petrie - Fourth Collection of Strathspeys, Reels, Jiggs and Country Dances (c. 1805)
K:Gdor
A<dd>c d>cd>g|F<FA>F c>FA>F|A<dd>c d>cd>g|f>dc>A G2G2:|
|:g>dg>a g>dg>b|f>cf>a f>cf>a|g>dg>b g>dg>b|f>dc>A G2G2:|]

X:2
%
T:Braes of Tullymet (The)
M:C
L:1/8
S:Mackie Collection (Aberdeen, early 19th cent.)
Z:AK/Fiddler’s Companion
K:Amin
B<ee>d efg>e|d>GB>G d>GB>G|B>ee>d e>ga>c'|g>e d>B A2A2:|
a>ea>c' a>ea>c'|g>dg>b g>dg>b|aeac' aeac'|ge dB A2A2|
a>ea>c' e>ac'>a|g>dg>b d>gb>a|g>ee>f g>ab>a|g>e d>B A2A2||

X:3
%
T:Braes o' Tullymet, The
M:C
L:1/8
R:Strathspey
S:Surenne - Dance Music of Scotland, pp. 12-13  (1852)
Z:AK/Fiddler's Companion
K:Emin
A | (F<B)B>A (B>A)(B<d)|(F<D)A>D B>DA>G|(F<B)B>A B>A(B<e)|d>B{B}A>F E3A| 
(F<B)B>A B>A (B<d) | (F<D)A>D B>DA>G | (F<B)B>A B>A(B<e) | d>B{B}AF E3 || 
B | e>B(e<g) e>B(e<g) | d>A(d<f) f>A(d<f) | e>B(e<g) e>B(e<g) | d>B{B}A>F (E2E)B | 
e>B(e<g) B(e/f/) g>e|d>A(d<f) A(d/e/) f>^d|(e<B)B>^c =d>e{d/e/}f>e|d>B (B/A/G/F/) {F}E3||

X:1
%
T:Braes o’ Tullymet or Birnieboozle
M:C|
L:1/8
R:Strathspey
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 32)
Z:AK/Fiddler’s Companion
K:Gmin
c|A<(dd>)c (d>c)B<f|A>F(c>F) (d>F)c>B|A<(dd>)c (d>c)d<g|
(f>c) (d/c/)B/A/ (G2G):|d|g>dg<b g>dg<b|f>cf<a f>df<a|
g>dg<b g>dg<b|(f>c) (d/c/).B/.A/ (G2 G)d|g>dg<b d(g/a/) b<g|
f>cf<a c(f/g/) a{ga}f|g<d(d>=e) (f>g)a>g|(f>c) (d/c/).B/.A/ {A}(G2G)||

X:1
%
T:Braes of Tullymet, The
M:C
L:1/8
R:Strathspey
B:Stewart-Robertson - The Athole Collection  (1884)
Z:AK/Fiddler's Companion
K:Gmin
c|A<d d>c d>c d<f|A>Fc>F d>Fc>F|A<d d>c d>cd>g|f>d cB/A/ G2G:|
d|g>d g<b g>d g<b|f>c f<a f>c f<a|g>d g<b g>d g<b|f>d cB/A/ g2 g>d|
g>dg>b dg/a/ b>g|f>c f<a cf/g/ a>f|g<d d>=e f>ga>g|f>d d/c/B/A/ G2G ||

Tune annotations